BOSS SY-1
The Boss SY-1 connects with me in a way I didn’t think possible with a synth pedal. It’s dead-simple to use and find the tones of all your 80s dreams.
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Big Ear Pedals Shake Through My Sundae Crush Pedalboard!
The Shake by Big Ear Pedals isn’t REALLY a pedal. It’s an instrument. It might have knobs and a switch, but the only thing that works on this guy is the output.
Emily Writes About Disinfecting Your Gear
Emily’s newest article in She Shreds addresses a concern she’s seen recently: how to disinfect your guitar.
Emily Writes About Supporting Artists During COVID-19
Emily recently worked with Reverb.com editor Joel Handley to put together a list of ways fans can support musicians in particular during the COVID-19 shutdown.
Episode 75: A Tale of Two Pedal Builders
This week, Emily and Andrew are joined by Louise Woletz-Hinz of Dwarfcraft Devices and Philippe Herndon of Caroline Guitar Company.
Episode 74: Unconstructive Summer with Steve Selvidge
This week, Emily and Andrew are joined by Steve Selvidge of The Hold Steady to talk about how COVID-19 is impacting artists and performers with cancelled shows.
Demo: Chase Bliss Blooper
The Blooper was a legendary looper before it was even released. Over a year in the works, the Blooper is a collaboration between Chase Bliss Pedals and the remarkable demo channel Knobs.
Demo: Big Ear Pedals ELLE
The Elle by Big Ear Pedals is a beautiful, lightly modulated reverb pedal that can get into self-oscillation if you dime everything just right. It’s like “good lord, that’s a gorgeous reverb.”
Episode 73: Playing Through The Sniffles
This week, Emily and Andrew talk about two major current events in music — the Nashville tornado and COVID-19, with a focus on how the pandemic is affecting the live music industry. Do615 put together an excellent list of ways to help victims of the Nashville tornados. Major props to Gibson for giving guitars to […]
Demo: Old Blood Noise Endeavors Visitor
Visitor is the newest pedal by Old Blood Noise Endeavors. It’s a multi-effect that runs effects in parallel rather than in series (both at the same time vs. one after the other). You have three options for your primary effect: tremolo, chorus, or phaser. For each of those, you have a rate, depth, and master […]