Podcast Episodes

Get Offset Episode 162: Tiny Hands and Big Sellers

Get Offset Episode 162: Tiny Hands and Big Sellers

This week, Emily talks about her first-ever gig with IEMs, Andrew shows off his mad uke skills, and the two talk about the best (or at least most popular) gear of the year according to Reverb.

Sponsored by CarolineGuitarCo 

Shop via these affiliate links to support this channel: https://reverb.grsm.io/getoffset7407 (Reverb) and https://imp.i114863.net/GetOffset (Sweetwater)

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Episode Transcript

Note: a machine made this, so it’s not perfect, but if you’re hearing impaired and have any questions about what we said, please feel free to ask us in the comments or send us an email with the form below. 

[00:00:00] Emily: What we’ll be kicking off in five minutes.

[00:00:12] welcome

[00:00:13] Andrew: to the get offset podcast. My name

[00:00:14] Emily: is Andrew. My name is Emily. What we’ll be kicking off in five minutes, Andrew. Uh,

[00:00:21] Andrew: I guess if we’re going to jump into what’s new that quickly, um, black Friday, uh, at the Fox Cairo shop, I literally just hit schedule. Uh, and then I went to go check and I did the wait a minute.

[00:00:35] Why isn’t it going through? And I went back and checked again. I was like, oh yeah, it’s because it’s scheduled for the next bottom of the hour.

[00:00:40] Emily: Oh, okay. Okay. Okay. So it’s live by the time this is launch.

[00:00:46] Andrew: Oh yeah. Yeah. So 20% off of absolutely everything in the shop and yes, I do have items in stock and ready to ship.

[00:00:54] Emily: Maybe I’ll do that for good offset, Marie. Good. Good

[00:00:57] Andrew: idea. Yeah. I was looking at, I don’t know, I don’t remember what it was for international, but I know within the U S uh, if you’re ordered, like, I think it was like December, like 15th or something like that is what they’re saying. That you can guarantee you’d have your shirt by Christmas by for at least merge.

[00:01:15] And I don’t know. Yeah. Something like that. I don’t know if I entirely, yeah, I don’t buy it. However, a sale goes through December 1st and I, I feel fairly comfortable saying that a shirt will probably ride by December 25th. If you ordered it before December 1st, that obviously there’s no 100% guarantees in any of this, but I got you

[00:01:39] Emily: back.

[00:01:39] Shirts are faster than, than some other things. I know that for like it offset, we do the drop shipping. The approval. And those seem to have been going out a little bit faster then than they had been during like a lot of the pandemic, which had a little slack because yeah. A friend of ours, a friend of the show just bought a shirt and then it went out like the next day.

[00:02:02] I’m like real fast, so

[00:02:05] Andrew: well good on them. Yeah. Well, yeah. A 20% off of everything. Topper is included. So holler at your boy. I will be working hard. I’m anticipating this upcoming weekend and the following weekends two a week nights. Even get all of these things out

[00:02:23] Emily: there. Sorry. Oh, that’s fine. Hot coffee.

[00:02:29] Andrew: That was a satisfying, like depressurization, it

[00:02:32] Emily: was hot coffee. This is an ASM, our podcast where I pour hot coffee from my Stanley thermos, like a good Pacific Northwest Sterner, you know, we make it in the pot and then we pour it in the thermos because of the keyboard function. Just feel like it burns the coffee rather.

[00:02:56] Yeah. And then I’m drinking out of my cafe, Vita mug. That’s like a little Supersonics. Oh, nice. Yeah.

[00:03:06] Andrew: Yeah. I, uh, it’s cold in here right now. It’s pretty warm out here. It’s not that I don’t have a heater. I it’s that my heater unintentionally stopped working overnight sort of. So.

[00:03:24] Emily: Versus intentionally stopped.

[00:03:26] I’m just not going to have

[00:03:28] to

[00:03:28] Emily: intentionally stop working

[00:03:30] Andrew: explanation is that I had a friend over yesterday. We, we did a whole bunch of clean in front of the yard, including shopping. I’m some of the, uh, the logs have been seasoning in my backyard. It was like, cool. Like let’s have a fire and we’ll do hot cocoa and roast some smores for the little one.

[00:03:46] And it was a very good time and went to sleep. And, uh, after the fire is out, pretty dang toasty out in the living room and woke up this morning. And it’s a little, uh, Chile on, in the bedroom. Like we’re all gonna go walk out in the living room. It’s still nice and toasty out there. I think what happened is the thermostat, which is out in the living room red.

[00:04:08] Cool. We don’t need heat right now. This is fine. It’s downright tropical in here and south the heat that flows to the backrooms. Cause it’s one thermostat for the whole house.

[00:04:18] Emily: Yeah. That’s not ideal. I. That’s always a bummer. That’s kind of how ours is. I think

[00:04:28] Andrew: it’s not the end of the world. I don’t mind cold that much.

[00:04:31] I can always throw up, like get a long sleeve and a flannel line and I’m just downright toasty now, but a nice

[00:04:37] Emily: warm cup of coffee would help the dumbest thing there to really dumb things about like where our thermostat is placed. It’s placed right above a heating vent.

[00:04:50] You can ignore that is right above.

[00:05:00] I’m going to timestamp that.

[00:05:09] You could Archie my fee or did you online?

[00:05:14] Andrew: Uh, it was something that came out of a school, a school event, and it just happened to be sitting on my desk for, I don’t for God knows what reason I was like, I’m just going to,

[00:05:29] Emily: so for

[00:05:29] Andrew: those of you, you’re wondering what’s going on.

[00:05:31] Emily: God.

[00:05:33] Andrew: Part of the cold is that my hand has gotten very small and I just, you know, it was just scratching my beard a little bit with my now newfound, very small hand.

[00:05:44] Emily: I recommend getting one of those mini Jazzmasters. Oh, hang on. Oh my God. Like I I’m going to be honest.

[00:05:57] That was a little unexpected that was grabbing his Oola. Hmm.

[00:06:08] You be luck to suck, buddy. Woo. But to,

[00:06:36] I know that one, many Jazzmaster, very nice, well done. Bravo. Ooh. Uh, it was good. It actually worked a lot better than I thought it was going to

[00:06:51] Andrew: sound way worse.

[00:06:53] Emily: Yeah. Me too actually sounded pretty good to the microphones.

[00:06:56] Andrew: Okay. Out of tune and not withstanding. Yeah. So you’re, you’re saying something before I, I wasn’t expecting, so the first time it went on screen, I was expecting to slowly through the episode.

[00:07:13] Emily: Did I notice everything? Have you have you, I know you haven’t noticed, but I have Mike and that’s everything. I just legit. I’m a regular Colombo. One more thing. Um, dude, what was, I, I don’t remember what I was talking about though.

[00:07:34] Andrew: I don’t remember either. I was like legitimately listening. I’d forgotten that I had had this on my finger from the start of the episode and I just like, oh, it got like a little itch right here.

[00:07:44] Emily: Do you, what was I talking about?

[00:07:50] We’ll come back to

[00:07:52] Andrew: that important,

[00:07:54] Emily: I guess it wasn’t I guess not man. I had a show last night. It was okay. I guess.

[00:08:03] Andrew: And those pictures looks phenomenal. Yeah. That looked like an absolute ball over time.

[00:08:11] Emily: Oh, I’ll put them up. I think I already posted one on Instagram, but, um, I was just kinda like, it’s kinda like an Americana vibe, but we cover peace.

[00:08:21] What’s so funny about peace, love and understanding like the Elvis Costello version of the Nick Lowe classic. And, uh, I was just like, it was the second to last song. And I just really love that song. And I think that the hot toddy I had had before the station finally kicked in and I just started, like, I’m really jumped.

[00:08:39] I’m like jumping up and down. I want to do it like the run. And I just really, you know, if you’ve ever seen like early Elvis Costello videos, they’re smashed in them and they’re just like jumping, like they’re like doing the running man and they’re just doing, like, it just looked like so funny and I’m like, I’m going to embrace some of that energy.

[00:08:58] So, uh, I’m just like jumping and I’m like having a ball. And Rick, my husband, he got some really great pictures of me. One, he, he just magically captured, like, I’m just like off the ground. You can see the shadow of my feet underneath it. And I’m just like screaming with joy. It’s a perfect picture of me on stage it’s and I’m wearing like these cute pink overalls.

[00:09:22] They were in last week’s episode actually. And my hat, they weren’t actually.

[00:09:30] Yeah. And I wear my any ears. Uh, it was the first time I’d worn any or is in a show and I got it. It was like an 85 cat venue. It was like a test. Like I’m like, if it doesn’t work out, doesn’t work out. But I was running my direct bass rig and, um, and I, I bought this little, um, X, V four. Um, this is just the receiver, but I had the transmitter here too.

[00:09:54] And I’m like, it’s just, it’s such a dead simple system. You plug like this. Yep. You plug your I AM’s into here and you just make sure the channels are aligned. You’ve got your volume. You tell the guy or gal behind, uh, who’s running the sound, what you want. They give it to ya. And, uh, the sound person, like the blue moon Tavern, they just reopened.

[00:10:19] So the sound person wasn’t like the most experience with the sound system. It was their first time. It was like their first time doing some of the things they’ve been doing. I think it was our first time running in any of your system. So, uh, he had a great job considering and, um, yeah, so it like. It was great.

[00:10:41] Cause our drummer kind of hits a little hard having the 26 decibels blocked being right next to it. And yeah, it really did. I felt like my ears were being a little bit saved, but I could still hear everything I needed to hear and just what I needed to hear truly. Um, in myself I felt more present. I felt like my ears didn’t have to work as hard to hear myself, especially in the things I like.

[00:11:07] I didn’t have to work as hard to pick out the things that were important. I’m like, so I have the singers guitar. I have the keys, I have the singers vocals and everything else is gravy. Like, like it’s just nice to have. So, um, obviously I could hear the kick just fine. I had a little bit of that in there and it was, I like I’m sold.

[00:11:32] And if I can do that in like a 25 cap of 85 cap venue, Essentially a dive bar with my little, like $200 X five unit, like with a USB rechargeable 22 hours of life. Like I just left it on, like I turned it on during soundcheck left and on the whole time, yeah. I feel like I could probably use them anywhere.

[00:11:58] And I have, the UAE has like, they have like all their sounds, signatures, and then they have two fits in one fit is like a deeper and you have to see an audiologist and they kind of recommended for onstage, but like I was talking to someone at UAE and they’re like, unless you’re, unless you’re jumping around on stage a lot and like doing backflips and stuff, you don’t, you can just use like the, the one that doesn’t go as deep.

[00:12:22] And that’s like an actual. And that’s what I have because I mostly do. I mostly use it for demos because I’m vain. I don’t want people to see my big headphones on, sorry, Ryan Berg, vain. And, uh,

[00:12:40] uh, he’s got those big cans on all the time. And, um, and then the little, when he, when he has been, he travels, he has a little, like the talk, the, uh, it’s funny. Um,

[00:12:57] Andrew: so embarrassing anyways. It’s so like last

[00:12:59] Emily: century as Andrew has his big hands on, uh, I’m just gonna keep saying big cans as the woman here. Um, I know, I know exactly what I’m saying.

[00:13:14] I know exactly what I’m doing. Um, but, um, And like I said, I was, it was the second to last song when I was jumping around. Like part of me was also like, I’m going to fuck, I’m going to see how far I can take this to the limit. They didn’t budge at all and it didn’t fall out. And the seal didn’t break. Yeah, I, yeah.

[00:13:41] So I I’m glad that I, you know, I didn’t, I didn’t feel regret that I didn’t go and get the deeper, like canal fit. I just did that at home. Like you said, it’s actually, it’s really neat technology. We’re not sponsored by you or anything, but it was really, it was really cool. And I was like, it was an experiment, it was a test.

[00:14:05] I’ll do a video about it, but I was actually kind of surprised at worked.

[00:14:11] Andrew: I’d be willing to bet that, uh, those, those all fit way better than my shirt to fifteens.

[00:14:18] Emily: Yeah, cause they’re custom fit. Yeah. Yeah. Are the shares just like universal fit?

[00:14:26] Andrew: Yeah, they’re universal. And that’s what, that’s what my, I, I am experience has been with is, uh, two fifteens and like not the greatest fit, but all of the things that you’re saying, like in terms of how much better the experiences versus going with just PA’s, uh, 100%, 100%, 100% will always enjoy playing within yours.

[00:14:49] Um,

[00:14:50] Emily: yeah. Cause another problem we kept having on stage was feedback. Yep. That was the other big thing. Like, and part of it was the new sound system. Yeah. Or even just less noise. Like even if you can just like take the vocals out of the monitors, it would make a huge difference. Honestly, like, let, let people have their camps a little bit, but,

[00:15:20] Andrew: uh,

[00:15:21] Emily: yeah.

[00:15:21] Sorry for interrupting you. Go ahead. I’m sorry. I interrupted you. We just had so much feedback last night, like from nowhere.

[00:15:30] Andrew: No, I get it makes total sense. Feedback does happen. That’s one of the downsides of having a combination of a lot of things happening on stage, as well as a sound guy that doesn’t know how to jockey all of that.

[00:15:41] It’s going to happen. So,

[00:15:46] oh yeah. Yeah. My favorite, like I have experiences in the past of like playing at a church that I hadn’t been to before and I’d see like the, I was like, can I get a little bit, a little bit more? And like, she starts reaching out for a knob. Like, why aren’t you using the fader? And he’s like, well, like Jane makes it louder.

[00:16:03] I’m like,

[00:16:03] Emily: no.

[00:16:08] Andrew: Yeah. So I like I’ve had. I like, I’ve seen that before he just eat, take somebody who’s inexperienced. You just, all of that makes us together so poorly, so quickly. And the beauty of in years for, from my experiences, it takes a lot of that guesswork out. It makes it simplifies the whole rig so much.

[00:16:28] Um, it doesn’t exactly dummy proof things, but it makes things a lot easier for folks who aren’t used to. I mean, larger events and can’t expect every, every sound person to be able to run the board at 110%.

[00:16:43] Emily: So, yeah. And stationary players like drummers can even have like a lot more control, more easily monitor their own mixes right next to them.

[00:16:52] It doesn’t even have to be like, as wireless. It doesn’t have to be wireless at all, but like, oh, I need more me. I have a little volume control right there.

[00:17:06] It was, it was really so. Such a positive experience and I, I expected a lot more troubleshooting and I didn’t have it. And, um, yeah, I, I think I’m just, yeah, it was great. Just great.

[00:17:26] Andrew: Awesome. I guess the only other question I have is, uh, uh, it sounds like you’re about 50% of the way to being ready to start playing at churches.

[00:17:35] Emily: No, we’ll just get you. Do you think I don’t already have that?

[00:17:43] Andrew: No, I’m just, I’m being funny. Okay.

[00:17:49] Emily: I got my bull UME pedal. I got my dad at eighth. Like, no, I need my trifecta. I don’t have my trifecta.

[00:17:59] So like

[00:17:59] Andrew: 2011. Okay. I did, I did

[00:18:02] Emily: have my church bitch.

[00:18:03] Andrew: I don’t think the whole trifecta is out by 2011,

[00:18:07] Emily: 2015. That’s it? Call it twenty fifteen,

[00:18:10] Andrew: twenty fifteen? Yep. We’ll call it 2015,

[00:18:14] Emily: 2011 zero. Graduated college. Oh, geez. I was still in high school,

[00:18:29] Andrew: but I just ruined the mood so quickly. So sorry.

[00:18:35] I had something else knew that it was going to talk about. And I cannot remember for, uh, I mean, I, I don’t

[00:18:44] Emily: know. What else do you had? I don’t know.

[00:18:51] Oh,

[00:18:54] Andrew: it’s literally sitting right in front of me. Oh

[00:18:57] Emily: God. I love when that happens.

[00:19:05] Andrew: Uh, that is a pack of sticker,

[00:19:08] Emily: huge pack of it as well. With my soul stickers,

[00:19:12] Andrew: I’ve got a hundred of these bad boys to kick get going, and my sticker supplier can turn around new orders in a couple of days. Cause they’re awesome.

[00:19:23] Emily: My friend design,

[00:19:26] Andrew: indeed, which I’m going to, I’m planning on later this afternoon, putting, uh, I’ve got, I’ve been running tests on sweatshirts for it.

[00:19:35] So I’m going to drop a sweatshirt as well, but this isn’t actually for individual sale. These stickers are for a. So these are going in with toppers when they ship out. I, and if I sell out, uh, over a hundred hoppers in the next couple of weeks, I can always get more. So don’t worry about, uh, no need to worry about falling behind and not getting one.

[00:19:58] So yeah, just a little something to add into the mix.

[00:20:04] Emily: Okay. Awesome. I love that kind of thing. That’s always a nice thing to include. Everybody likes sticker gifts. I have like so many sitting on my desk just waiting to be plastered on my work bench.

[00:20:21] Andrew: No, I will. I’ll send one of these over with. Uh, when I finished making your Tavor, it’s, it’s more or less done.

[00:20:28] It’s sitting on my desk, but

[00:20:30] Emily: Andrew’s making a pop popper, a topper for my, um, pod go, which I’m very excited about. Should I spill the beans on what it’s upon, which it is based on

[00:20:43] Andrew: when we wait until, um, it’s installed on your pod? Yo, and we can show it off. Okay.

[00:20:48] Emily: Suspense suspense is cool. I like that. Okay.

[00:20:54] Um, I do have a couple other things that are what’s. Now I have the Greer, uh, sure. Shot clipping boost. It’s been the, it’s been the, the fall slash winter of, I guess, fall of the boosts, but this one’s more interesting. It’s not a transparent, it’s not a clean boost. Well, I guess it’s not. It’s a clipping boost.

[00:21:19] So as it drives your aunt, that drives a to clipping diads within this. So it also drives the boost. So it’s kind of a dual clipping dual drive thing. Um, it’s dirty thrill dirty. And I had a lot of fun. I was running it through, I put it over there. Why don’t I actually putting things just out of my reach?

[00:21:43] Why can’t I do myself a favor? I was putting it through an old Greer drive that I found and bought at the, um, guitar store, uh, and called the gold nugget. It’s so much fun. I just really had a lot of fun doing that. So check out that demo it’s live. And so as this Susie’s are available to buy a big, thanks to Nick Greer, Greer, amps, and mass distro for letting me demo that that’s one

[00:22:10] Andrew: thing form factor for, for a boost.

[00:22:13] Emily: I think this is our first mini boot.

[00:22:17] It’s I really like the aesthetic very 1970s and then native audio has their, um, pretty bird woman. Is there new chorus? Vibrato, always love Mike’s presets. That’s always like to have four presets that and not many really choice. All also, always a great aesthetic.

[00:22:43] Andrew: I was talking with a friend of mine. I was hanging out at his place earlier this week and, uh, th this is related to presets.

[00:22:50] I promise. Okay. And he’s got a mini controller. I was bored. He’s got, he plays for churches, get one big old board. And I was like, Hey, so like how, how have you been liking middy? And he just looks at, I had. And I’m like, oh, like what’s going on? He’s like, it’s just so much work up front to learn all of it and get through all of it.

[00:23:11] He’s like, I haven’t been using it’s like on my board has a made room for it. I’ve just, I haven’t plugged it in. I’ve just completely unplugged it. And it just, it’s taking up space and I’m like, how about that new way? That new correspond. So, so I think he had actually just got in as well, so yeah. Oh yeah.

[00:23:32] Presets are the way to go. I’m a fan. Yeah.

[00:23:37] Emily: Whew. I mean, I get it. I feel that, um, I prefer presets. I know I should get into Medi cause I feel like it would make my life easier, but.

[00:23:52] Andrew: And it’s a learning curve.

[00:23:56] Emily: It it’s a learning curve and it’s, it’s like a, a time investment upfront that I know would pay off in the end.

[00:24:04] Um, anything like that. And, you know, I I’ve done that. I did that with, with the pod go for a Sunday crush show and it was fucking awesome straight up, um, that felt different because doing the pod go, it felt, it definitely felt like adjusting pedals on a pedal board. Just like the look of things. You’re still twisting knobs.

[00:24:35] Yep. I don’t know if many feels that way because the, the little experience I’ve had with it didn’t feel that way. Right. So I don’t know.

[00:24:50] Andrew: Well, yeah, pros and cons for sure. Uh, I, I’m not gonna say you’re gonna say that Mitty doesn’t have its place, but, and I got to say just having a couple of four button preset and I was like, that is just, that’s

[00:25:01] Emily: hard to hear.

[00:25:03] It’s a lot easier. It’s a lot easier. Yup. And without having to buy like an external, um, controller. Totally. Yeah.

[00:25:12] Andrew: Yup.

[00:25:13] Emily: Yeah, yeah, yeah. Yeah. Nice form factor.

[00:25:19] Andrew: Uh, oh, of course it does. It’s ghost audio. I mean, native audio. Good. God brain

[00:25:27] Emily: native

[00:25:28] Andrew: audio, native audio. There

[00:25:29] Emily: we go. Audio, I think I

[00:25:33] Andrew: mixed up ghost Ridge and native audio

[00:25:35] Emily: in my head.

[00:25:37] ’cause I had said that a moment ago when I was, uh, before the show started, I was like, oh no, that’s the other pedal I have. Yeah. Delay. Check out my device.

[00:25:54] This episode of the good offset podcast is sponsored by the Caroline guitar company. If you haven’t signed up for their email list, you ought to, because apparently they have something big coming on black Friday, they’ve been teasing it on their Instagram and I am planning on buying whatever it is,

[00:26:13] Andrew: but you don’t even know what it is.

[00:26:14] You’re just sold.

[00:26:15] Emily: Literally don’t lie. You know, I do what I do. I do what I do. You usually, you can get a t-shirt with it.

[00:26:26] Andrew: I do like t-shirts

[00:26:28] Emily: the last time, last time I, I bought the, um, where is it? Point Emily point. Better up, up, up, up, up due April fools. Pedal. Yep. Yeah. And then, uh, Felipe emailed me and he’s like, I saw you bought it, but I sent you one.

[00:26:50] So let’s send you a different pedals,

[00:26:57] but this time I’m going to buy it. Dammit. I’m going to buy whatever it is. Cause I usually like it’s a limited run. You get like a merchant item, maybe a mug, maybe a shirt who knows. I’m so excited unless I dreamed this one too.

[00:27:18] It’s possible. I have a weird dreams.

[00:27:24] Black Friday. There it is. This year, this one is long overdue. It’s fun and gnarly. Not for everyone. It started with something that was broken. We fixed it and realized we needed to break it again. I wonder if the owner was going to be some buzz Roche’s commented Turkey skin.

[00:27:46] Someone found it and then JHS commented spam in and pizza.

[00:27:55] Andrew: Uh, as long as it’s not tuna and corn pizza,

[00:28:01] Emily: is that like a

[00:28:02] Andrew: meme? Uh, no, just something that I had in real life. It was like canned tuna in corn, on pizza.

[00:28:10] Emily: I don’t like that.

[00:28:12] Andrew: I didn’t either. I get wasn’t completely inedible, but it was weird.

[00:28:19] Emily: I don’t like that.

[00:28:20] Andrew: I was like tuna helper, but like on bread,

[00:28:25] Emily: sorry, start over saying that was broken.

[00:28:27] We fixed it. And then we broke it again. I mean, I’m going to guess that it

[00:28:32] Andrew: like maybe a broken amp circuit that they tried to fix and then realize that it, like it needed, like, it was so close to greatness and they took it to the next level. And then. I could see something like

[00:28:42] Emily: that. Yeah. It says new pedal and red t-shirt email, less limited quantities.

[00:28:48] No relaunch, charitable donation. Love it. Love it. Love it. Love it.

[00:28:55] Andrew: Well, that sounds like the, uh, the right amount of havoc. Maybe I need to dig deep into my pocket books here. I

[00:29:00] Emily: don’t see a havoc button on it, but I think the only button is a havoc button. It sounds like

[00:29:11] Andrew: at first you had my curiosity. Now you have my attention.

[00:29:15] Emily: Fantastic. I love it. What are we talking about? I still don’t remember. I was talking. I still don’t remember what, what I was talking about earlier.

[00:29:30] Andrew: I have no idea either. It’s, there’s something about the, you know, the sun coming up at like eight 30 and going down at four.

[00:29:38] That’s.

[00:29:39] Emily: Yeah. Hello darkness. My old friend. Why are you here? It’s 4:00 PM.

[00:29:49] Andrew: I just had a panic

[00:29:50] Emily: that, oh, we don’t like panic thoughts. Okay.

[00:29:57] Andrew: I just realized I just wanted to go order stickers. Uh they’re like, oh, like you want to do like th the, the even bigger size, like yeah. Let’s do the even bigger size. Why not?

[00:30:07] And then I was like, wait, is that going to fit in my envelopes? And it will fit in the envelopes just barely, but it’s like five inches. It’s a huge, yeah. These are huge stickers.

[00:30:18] Emily: Yeah. That’s a pretty big, it doesn’t look too big.

[00:30:24] Andrew: I like obnoxiously large, but they’re definitely not like the super tiny here.

[00:30:29] Like

[00:30:29] Emily: you’re not baby

[00:30:31] Andrew: hand.

[00:30:33] Emily: Jeez. Sorry.

[00:30:39] Andrew: It was the mini again.

[00:30:41] Emily: Yeah. It was like five times the size of your hand, right?

[00:30:48] Andrew: What is this?

[00:30:49] Emily: I had four ants. Jesus, save me, save me. I can’t do this.

[00:31:01] Andrew: This is the, uh, this is how you can tell that I’m slowly breaking down

[00:31:06] Emily: over in front of the pressure

[00:31:09] Andrew: over the pressure of black Friday.

[00:31:12] Emily: You know, those who saved him, stickers is going to be like, who broke, whom

[00:31:19] Andrew: slowly cycling down into it.

[00:31:23] Like the ultimate show off it like a random friends giving or something falls apart. Oh

[00:31:29] Emily: my God.

[00:31:33] Andrew: So speaking of black Friday and

[00:31:36] Emily: Thanksgiving and shenanigans stuff, sales money, money, bestseller, trending trends.

[00:31:49] Andrew: Talk to me about trends. I don’t know. There are these days, where are the kids into

[00:31:53] Emily: oh, reverb, send us a list. Reverb, uh, telling us what’s up river. Uh, Brooke from Ribera emailed us and was like, Hey, did y’all know, these are the best selling pedals of 20, 21.

[00:32:06] Interesting. And we’re like,

[00:32:10] So, um,

[00:32:12] Andrew: at my day job and the other guys in the office have started doing it. So like someone like, you know, like we’ll walk into the office and be like, oh wow. And then I’ll go, wow. And the next era for finding the, of those, those seagulls, they go mine, mine, mine, mine, like the office turns into cacophony of that.

[00:32:36] Emily: So we’re just like, the world is like his now, like just talks like a group chat. It’s so weird.

[00:32:45] Andrew: We’re just broken as a

[00:32:46] Emily: society. We are not collectively, but, um, yeah, the 10. So we have a couple of lists than the 10 bestselling pedals released in 2021. So these are pills that were released in 21 that had the top pedals.

[00:33:02] The number one is the astral destiny.

[00:33:08] I’m kind of surprised because one sentence it’s like a home is any, is any real music, you shimmer reverb in it. I was like, yes. I mean, you could, you could Google it, but like when people be making it, if no, he sing so hard, but this one really shocks me because it was literally just released like two weeks ago.

[00:33:36] The, the Boris collaboration with Earthquaker devices is the second best selling pedal 2021 that was released in 2021. That is incred Nana’s it’s

[00:33:50] Andrew: it had like,

[00:33:53] Emily: yes, it’s a magic. I try to pronounce it because I’ve never heard it said yes, this is true. Uh, number three is a walrus Macco Arwan Meco makeup. Do they become terminal?

[00:34:08] Andrew: Mako is how I’ve always heard that pronounced.

[00:34:13] Emily: And then the, then the walrus ACS one. So the Arwan the ACS one respectively. Yes, because I put them there into your hands. Um, and then the way huge weirding module, which I’m actually not familiar with because I, I don’t have any way huge cuddles weirdly. You can’t have everything.

[00:34:39] Oh, that’s the like has got the sliders, the tradies not familiar with us at tradies. Yeah. What is that volume Sydney raid, right?

[00:34:56] Yeah. Then the JJs pack rat, the boss two heavy metal was a craft. The boss 40th anniversary. Super overdrive. And then the two of the universal audio, the echo station and the golden reverberates for being as expensive as they were. That’s impressive. People are like so expensive.

[00:35:21] Andrew: This market can sustain some support, like prices that we wouldn’t have imagined even when we started this podcast.

[00:35:30] Emily: Yeah. Cause this walrus pedals were pretty expensive too. Those were like 3 50, 400 around

[00:35:39] Andrew: that range. Yeah.

[00:35:41] Emily: Like of all these pedals, I think maybe the JHS PACKRAT is the least expensive

[00:35:50] Andrew: probably. Yeah.

[00:35:52] Emily: Yeah. I think so.

[00:35:58] Yeah. So that’s, you know, that’s actually a pretty. Pretty expensive. And a lot of these were, they did come out later in the year. I think the earliest ones that came out were the walrus pedals. So those had the most time to sell. And then the PACKRAT the Earthquaker, uh, Boris collab. Those came out most recently.

[00:36:22] Um, for sure. I don’t really remember when the boss pedals came out of those, might’ve been earlier to mid year or definitely early in the year. Uh, the Asher destiny was definitely earlier in the year. Um, you eat universal audio. I feel like that was in the summer. It’s it’s I just it’s two weeks

[00:36:53] Andrew: that are on. That does look super sick. I’m not going to lie though.

[00:36:57] Emily: Yeah, I kind of want it. And then overall best-selling pedals, um, Keeley comp plus, uh, Dell Looper, HX stomp D S one hologram electronics microcosm. Fascinating. I did. Yes, I am. I’m assuming my, the one, the, the infinite jet size sole that someone thought was a microcosm.

[00:37:23] Doesn’t count toward that. Fortunately, the PROCO rat to carbon copy, blue Shriver Iridium SD one Ts nine plumes. Uh, op-amp big Muff issue, Pauli tune three chromatic tuner crybaby wall, uh, Kelly caverns morning glory before graphic EKU and Digitech drop. So what is the norm is the microcosm is really the only, truly interesting one in there.

[00:37:56] I think. Yeah. It’s the only, it’s the only really weird pedal. The only really weird pedal. I think it’s the only thing. That’s not like a utility or an overdrive, I think. Yes. The only thing that’s not a utility overdrive or like a classic rape. So that’s really fascinating. That’s a huge pedal. Yeah. Well, that’s a classic.

[00:38:22] I would call that a classic. Yeah. Yeah. Uh, let’s look at best-selling analysts because this, this, you know, the best selling amp is fascinating. Can you guess what the best selling amp of 2021 was

[00:38:39] identified it? No,

[00:38:43] Andrew: it’s not a fender.

[00:38:46] Emily: It is a fender.

[00:38:48] Andrew: Oh, it’s the microphone.

[00:38:50] Emily: It’s the Mustang micro. Yes. Yes. And I’ll tell you what, my mom plays it all the time. Like my mom wanted it and I’m like, I’m probably not gonna use it as pro. Yeah. If you’re going to use it, have it. Like, I gave it to her when she was in town.

[00:39:06] She uses all the time. All the time. Yeah. So that’s the top selling amp of 2021. And it came out in 2021. I have to ask the boss Katana mark to the positive grid, spark 40, which doesn’t surprise me. There’s

[00:39:21] Andrew: a lot of hype.

[00:39:24] Emily: There’s a lot of hype there. I feel like there’s nobody who’s like in the middle ground on that.

[00:39:31] I feel like you either love it or you hate it. And there’s like people who have experienced it. I don’t feel like there are people who are like, it’s fine.

[00:39:44] Uh, then the orange of micro dark, the orange micro, a terror, which I have a micro terror. I have enjoyed it. Yamaha, T H R ten two. Then the teeth are 32. Um, those are both fun. Uh, I don’t think they’re, I don’t think either of them is in stock, so you can’t give them a stock, uh, Vox, AC Fox, orange crush, vendor tone, master deluxe reverb, number 10.

[00:40:11] And the time master comes in before the fender 65 reissue, the Lux fever. People want that lightweight man,

[00:40:20] Andrew: then there’s not at all surprising

[00:40:22] Emily: and give us the fender. Rebel rumble, 100 ties with the boss. He T in mini that’s. What makes getting for Christmas? I

[00:40:35] Andrew: hope he doesn’t watch this podcast, you know,

[00:40:36] Emily: he doesn’t,

[00:40:40] and also, you know, I am not going to be able to hide that before Christmas. So it’s not that big. It looks pretty nice

[00:40:48] Andrew: and just deliver it at like 5:00 AM Christmas morning. I don’t know if I can actually offer that, but that would be

[00:40:55] Emily: funny, you know, I’m probably just going to give it to him before four and then just give him some other stuff done around.

[00:41:03] I don’t know. Well is he are just

[00:41:05] Andrew: like steal it from like the night before, wrap it up and just like whatever, leftover wrapping paper, hodgepodge that you have dealing an intentionally horrid wrapping job.

[00:41:14] Emily: He knows what it is. He knows he’s getting it. It’s like, it’s like the one thing that he knows he’s getting, because I’m not just going to buy, I’m not going to buy somebody in ample haul things because, so I ordered from the fender site because, um, I had a coupon.

[00:41:28] And I just so people know I did buy this, I didn’t buy this finger gift. I didn’t work through a rep to get it for free. Um, and, uh, the hat, I just so sad. They didn’t have the 200 in stock because that seemed like it was like the Goldie locks. Like they have the 100 and they have the 500 and the 500 just seemed like too

[00:41:52] Andrew: much and bring home, bring down the whole home.

[00:41:58] Emily: Well, 500 doesn’t mean five times as loud.

[00:42:01] Andrew: Sure. But I’ve played a 500 white solid state base. And before, like you can get those, you can get those moving.

[00:42:08] Emily: You can. So we’re doing the 100.

[00:42:13] Andrew: Nice. Yeah. If I had to get one, that’s what I get as well from that rumble series.

[00:42:18] Emily: Yeah. After that’s the boss, was it air the fender blues near three Marshall fender champs, 20 terrorist stamp, 20 fender rumble, 40 V3, um, Kimber profiler stage Marshall vintage studio.

[00:42:33] I mean, there’s a lot of ants. I am. I kind of would’ve put personally I have the fender studio, 40 rebel, forties rebel studio, 40 that’s like the Mustang GTX, which I was actually also kind of surprised not to see in the air just cause I think it’s a fun modeling amp, but I guess that Katana, the boss Katana is still kind of ruling the modeling effects amps, but um, yeah, a little bit surprising in that regard.

[00:43:03] Um, I’m also, I don’t know if it just because it came out later, but the set, the tone, the master super reverbs, not in there yet. Maybe.

[00:43:12] Andrew: It’s also a really big amp.

[00:43:15] Emily: Yeah.

[00:43:17] Andrew: Yeah. That’s not it for everyone kind of a situation in my mind. And this isn’t really based off of anything like demonstrative

[00:43:27] Emily: a little bit.

[00:43:27] What I got I’m like, this is so big. I was like, oh, what did I do?

[00:43:31] Andrew: The guides reverb, I feel like is about as big as like your average guitar player is going to want to have in terms of amp size, anything larger that starts to get into the, you must be really into this and, or have a lot of space.

[00:43:43] Emily: But I already asked when I, when I, when I gave with that and somebody asked me if I needed any help.

[00:43:48] Anything off the stage. I was like, Nope. And I just like, just like lifted it just like, it was like, he just like, he winced. It was great. He didn’t see the top. He didn’t, he didn’t know what a tone master was. I think he just expected to do me like 80 pounds. I was like,

[00:44:11] Andrew: we have four, 10 combo and someone just lifts it with the pinky.

[00:44:14] It’s like, whoa, I work out.

[00:44:16] Emily: Maybe she’s not fat. Maybe she just ripped. You should

[00:44:19] Andrew: just be like, yeah, I’m vegan.

[00:44:22] Emily: Yeah. Oh my God. So funny to me, that was cool.

[00:44:27] Andrew: You just know he’s like waiting, like he’s like, ah, like he could feel that like that sympathetic back, lower vertebrae disc slipped. Oh

[00:44:39] Emily: my God. Oh, totally dude.

[00:44:42] It was so good. All right. Uh, let’s move the guitars real quick.

[00:44:48] Andrew: Cause this is fun. I want to see, I H his choir been dominating that cause I have a sneaky suspicion,

[00:44:56] Emily: so, all right. You know, somebody posted something, I think I forget what group it was in, but someone said around it erroneously, I think that the silver sky outsold, every Stratocaster and according to rebirth, that’s not true.

[00:45:14] At least on reverb. I guess we should specify these are sold on river, which is, I think probably why the Boris pedals sold more than a lot of other pedals because they had a limited edition that sold directly through reverb. So I forgot point that out

[00:45:35] Andrew: and that could definitely will likely impact those numbers, but still

[00:45:40] Emily: impressive.

[00:45:41] Nonetheless. Yes. I don’t think it will impact any of these numbers. So the number one guitar sold, um, was the fender player Telecaster. Okay. Alrighty. Number two, fender player Stratocaster. After that,

[00:46:03] Andrew: the silver sky

[00:46:05] Emily: silver sky, after that followed by Squire affinity, Telecaster, and I’m surprised in affinity is higher than a classic vibe.

[00:46:14] It’s a better series. Uh, followed by the American professional to strata caster PRS S E custom 24 and pro to tele Gibson, Les Paul standards, sixties Gibson, Les Paul standard, fifties, ESP LT, the ISI 1000 Squire affinity series, Strat vendor American standard Strat P R S C 24. American professional series Strat vendor American Altra tele finally, a jazz master and the J maskus.

[00:46:49] And then finally another Jazzmaster, the classic vibe, sixties, jazz master American standard Strat gives them the full classic standard Strat. Oh my God. So many Stratocasters Telecasters and Les Pauls. There’s still like the guitar, the Schwab. Yeah. Maybe, maybe offsets aren’t like the most popular couture in the world.

[00:47:15] Only two Jazzmasters in the list. Yeah.

[00:47:17] Andrew: But since one is being mainstream. Cool. You know,

[00:47:22] Emily: I mean, never, I don’t want to be mainstream. I just want to make money. Can I make money and not be mainstream? Uh, nothing really exciting in there.

[00:47:36] Andrew: Nothing’s particularly mind blowing outside of just the reinforcement of what we’ve kind of been expecting to see out of this list, which is, I mean, Fender’s been pretty open about having the best sales year of all time, like ever.

[00:47:50] And I think that shows how many fender and Squire names are on that lineup. Yeah. That’s, it’s an undeniable, cause it’s not just like the number of you just think about like the gross total versus how many you saw I’ve. Um, I think Gibson and PRS are the other two that I heard the most and yeah. I mean, did fender like total number, uh, of representation on that list?

[00:48:14] Outdo Gibson NPRs combined.

[00:48:19] Emily: So they didn’t see any episodes on that list either.

[00:48:24] Andrew: Oh, I didn’t think about that.

[00:48:27] Emily: You didn’t see it. And so like you saw Squires, you see two PRS, you see one ESP, you see like three PRS. I’m sorry. You see 1, 2, 3. I see three Gibsons. I mean fender just obviously, but they, they have so many models and that’s how it came out is wow.

[00:49:02] Think. Wow.

[00:49:05] Andrew: Yeah.

[00:49:07] Emily: Gibson also has a lot of models though. Um, um,

[00:49:11] Andrew: Gibson does, they’ve got a, I’m trying to think, like if I’m going to buy a Stripe, there’s a couple of rounds of, um, Squires, then you got your player series, you got your American, you got your ultra deluxe, um, situations, uh, or like your standard runs versus like Gibsons.

[00:49:28] I think there’s like five different levels that are standard. So I imagine that does have an impact on that list, but

[00:49:34] Emily: still, yeah, I think so too. Yeah. Cause I would think that if you were just like, if you were just looking at Les Pauls versus Stratocasters Telecasters, I think it would shake out a little differently.

[00:49:50] Um,

[00:49:50] Andrew: it might look a little less dominating, but even then I am not sure. I think the numbers don’t tell the whole story here, but I think they do tell part of the story. I don’t think it’s 100% misleading

[00:50:01] Emily: and I also don’t think you’re buying like Gibsons are also more expensive. In general. And I don’t, I think that you’re probably a little bit less likely to buy like a $3,000 guitar on reverb than like a 1000 $1,500 guitar,

[00:50:16] Andrew: whatever.

[00:50:18] Emily: Yeah. Affinity Strat. Yeah. Yep. So I think that’s probably skewing the numbers at least a little bit.

[00:50:26] Andrew: Okay. Yeah. I mean, it’s not like they’re all going to release all of their sales numbers period, but I’d be so curious to take a look at the year end review and their executive meeting.

[00:50:38] Emily: The baseless is a little more interesting.

[00:50:42] Uh, number one, fender P bass, number two, Squire affinity position based PJ, uh, number three, number three, fender player, jazz bass. Uh, number four, I’ve been as GSR, M 20 number five, Ric and Bacher 4,000. Uh, then yeah, I wasn’t expecting a Rickenbacker to be that high, a Squire classic vibe based six. I have one, uh, I’ve been as Sr, 3,300 E then American professional to P bass, then square affinity, jazz fender P bass Hoffner ignition profile and base for everyone who wants to embrace their inner a public Hartney.

[00:51:32] Then another Rick Bacher Gresh junior jet to bass fender, jazz bass fender offset Mustang, bass, PJ. That’s what I play, um, square affinity Bronco. I’ve been as Tolman bass fender standard, jazz bass, classic Squier, classic vibe, jazz bass, and an Epiphone Thunderbird six it’s a six. Or is that a. It’s a four, sorry, Roman numerals.

[00:52:08] My bad. I’m like that don’t look right. So we got

[00:52:11] just

[00:52:11] Andrew: having a stroke, someone call I XII.

[00:52:18] Emily: All right. Yeah. So obviously a little more diversity in brand names there. The Rickenbacker up there. So high is, yeah, that’s the

[00:52:27] Andrew: presidency I’ve been as take a, take a decent chunk as well.

[00:52:31] Emily: $2,100. Rickenbacker bass being like number four on the list. Thank you, Michael. Sarah. It’s like $10. It’s like 10 pounds too.

[00:52:43] They are heavy. I don’t know that. I’m not familiar with that. I’ve been as, oh yeah, I am now. I am.

[00:52:50] Andrew: Yeah. I I’ve always liked the idea of a Rickenbacker 4,000. Uh,

[00:52:55] Emily: oh, that, I’m sorry that the higher ranking Ivan, his base is like 180 bucks. I think Rick has one of those. It must be just like a beginner base,

[00:53:06] Andrew: super common sold.

[00:53:07] Tons of, of that kind of I’ve been as a, when I was at guitar center, just flowing out the door, like water

[00:53:15] Emily: standard, first, first metal base. Yup.

[00:53:20] Andrew: Eats there. Nine volts. Like nothing else, if it’s the one thinking of yeah.

[00:53:25] Emily: That Gresh jet base. Oh, cause it’s $300. Okay. I get it. And I’ll make sense. It was a while you’re like, oh, what is that?

[00:53:37] I’m not familiar talent base. Oh. And that talent base is $200. That’s cool. That’s a cool looking base for $200. The Talman

[00:53:48] Andrew: I’m not familiar. You want somebody to link? Yes.

[00:53:51] Emily: Copy link address. And to Andrew.

[00:53:54] Andrew: Control Z or control C control V

[00:53:58] Emily: control V.

[00:54:02] I know

[00:54:03] Andrew: I knew. Oh no, I am familiar with this one. Um, that was very similar to, uh, my PJ behind me.

[00:54:11] Emily: I like it. I like the cream color.

[00:54:15] Andrew: No, I like black with torque on basis. Quite a lot. Um, which is explains the one that I have,

[00:54:23] Emily: you know, how I feel about, um, I just wear a lot of black on stage. I’m also wearing maroon pants today.

[00:54:34] Andrew: Oh, nice. Matching pants.

[00:54:38] Emily: Well, I didn’t wear my red flannel. That would have been embarrassing.

[00:54:44] My base is still.

[00:54:46] Andrew: Nope. Did I? I did it like,

[00:54:48] Emily: no, you talk about to stick guitars. Cause that’s where it gets really interesting.

[00:54:54] Andrew: Uh, I would love to talk about acoustic guitars. I’m trying to think here. What would, I guess, I mean, Martin Taylor Gibson,

[00:55:04] Emily: Yamaha. Oh, you’re never going to guess. Number one, you’re never going to guess number one, guitar, because

[00:55:09] Andrew: I never would have, number one is going to be Orangewood.

[00:55:12] Emily: Nope. Gresh G 9,500. Jim dandy never would have guessed it, but it’s $179 and it is just probably the guitar you would throw in the back of the car when you’re going camping. And it looks awesome. I would, I would buy this guitar,

[00:55:32] Andrew: you know, I do. I do know a guy that had one of these.

[00:55:37] Emily: Yep. The next one is the Taylor mini, which is what I would have guessed.

[00:55:42] Um, number three. It’s going to make so many people so angry. It’s the, uh, uh, fender American acoustic song Telecaster. That’s the number three selling acoustic guitar on reverb.com is the acoustic Sonic American American because it’s on a Telecaster.

[00:56:03] Andrew: People have been losing their minds over that. And they’re like, why do they keep making more versions?

[00:56:08] And the honest answer is cause itself.

[00:56:11] Emily: They can’t keep Sweetwater. Can’t keep them in stock. I was trying to add the affiliate link to the video and it had already sold out. So I couldn’t have the affiliate link to the video cause I can’t add affiliate links. I can’t, I can’t add them as easily as natively the products that aren’t in stock.

[00:56:31] Shop our affiliate link on Sweetwater to support the channel, please. Oh God, please listen. We get like three to 6% back. It costs you zero, zero extra dollars. Uh, after that, it’s the PRS S E parlor. The trend I’m seeing is people want small acoustic guitars that are affordable orchestra Sonics. Uh, the X is the Taylor G S mini.

[00:56:59] Then this is Martin backpacker. Then it’s the little Martin. And then it’s the American acoustic Sonic jazz master, which I love

[00:57:10] Andrew: that’s I guess I like, I know they’ve been doing well and I guess I wouldn’t use the less, how about acoustics? This’ll get an interesting, it didn’t occur to me that these would hit the acoustic charts and not the electric charts, but

[00:57:26] Emily: have more acoustic

[00:57:27] Andrew: instruments.

[00:57:27] Yeah. Yep. No, absolutely. And this is kind of,

[00:57:35] I feel so out of touch by not having guests, that it seems so intuitive now that you’re saying.

[00:57:41] Emily: Yeah. And by the time we get to like a larger body acoustic guitar, the Gibson J 45, which is like a more standard. We’re a number nine, the J 45 Gibson is number nine. Then we have the Yamaha FG 800 fender FAA, 15, which I think is still a small body.

[00:58:02] Let me look. Nah, I dunno. I’m actually, but I still cheap because take lessons, which I think is probably like if you’re buying an acoustic guitar and reverb, you’re probably buying, you’re probably not buying like the world’s best acoustic guitar on, right? Yeah. Cause you have to buy that in person cause you really have to hear it and feel it because every like things can vary so much, even if you’re trusting quality control, like it’s just, yeah.

[00:58:27] Um, so that’s something to consider the Mar Martin triple lot 15 M uh, Cordoba, C5. I’m actually not familiar with that. Oh, yeah, there it is. Yep. Gibson G 45 fender American acoustic, Sonic Stratocaster that 15 tying with a seagull S six, which I love the seagulls. Seagulls are great. They are great for the money.

[00:58:54] Uh, then I’ll love her little Martin, the followed by a Martin D put the eight Gibson, LG O then a three-ways high between a Gresh Martin and a tailor. And then another tailor like this. So you can see what people are buying online. They’re buying small body to affordable acoustic guitar, so they can, um, in the back of a car and take on a camping trip.

[00:59:19] And because of Sonics,

[00:59:23] Andrew: I love my, uh, I, I do love my Siegel dread and I do take it with me on trips just to noodle around on. Yeah. But if I were to swap that out for like a GS mini. I mean, they’d make the affordability factor is so much better.

[00:59:40] Emily: I, you know, want a little Martin really badly. Like I love those little Martin’s like I played one at Chicago music exchange and really fell in love and it just didn’t get really, we didn’t really get around to buying one.

[00:59:55] That’s the,

[00:59:55] Andrew: that’s a good start that ed Sheeran got to start with. Right.

[00:59:59] Emily: I don’t know. I don’t know. I don’t know it. I don’t know much about, uh, I think he plays one, but at the same time, I took my acoustic Sonic to, uh, my jazz master. Cause it’s Sonic, uh, on my cabin trip and had a lot of fun with that. It was, it, it kind of, I think produced a roundabout, the same volume as the small body to acoustic probably would.

[01:00:26] And obviously I was a little more worried about it. Cause more expensive guitar then like a little garden. Um, But, you know, I had, um, I liked it. It was fun. So, you know, kind of serve that same purpose, but so then that’s what people are buying. That’s what people bought in 2021. I’m really glad river broke out the pedals, at least for like things that were released more recently, because it seems like people buy the same things year after year after year.

[01:00:57] They do. Yeah. But I was, I’m shocked by this, um, acoustic list. Like I knew cause the songs were selling well, but I didn’t know that they would, like, I didn’t know that three of them would be in the top 22 of them would be in the top 10 and the player, this, this, the one that just got released. I, I, I think is going to be the top 10 next year.

[01:01:25] Cause more affordable.

[01:01:27] Andrew: Oh, yeah. Oh, totally. If they’ve been able to sell and like hit charts like that with a $2,000 offering, bringing it back down to like give or take half of that is likely to blow things up pretty quickly.

[01:01:44] Emily: Yeah, totally. Totally.

[01:01:47] Andrew: I’m curious to see if they’re going to do, actually, I don’t know the answer to this, but I mean, they’ve just done the one body shot body shape for the player series.

[01:01:56] And I’m curious to see if they’re going to expand on

[01:01:57] Emily: that. Oh, if it sells well, I bet I’m looking at the chart. I hope they do the jazz master next I’m selfishly. I hope they do the jazz master and acts. It’s clear that the jazz master is selling a lot better than the strap, but you know, I know the strata is their flagship shape.

[01:02:18] It is, but jazz master sells better. I think it sounds better.

[01:02:25] Yeah, the body’s bigger. Yeah.

[01:02:31] Cool. Well, that’s all I’ve got, um, happy Thanksgiving,

[01:02:37] Andrew: happy, a happy Thanksgiving, maybe full of links and not very full of colonialism.

[01:02:45] Emily: Indeed. I’m going to pay my pay my tribal tax.

[01:02:59] What is my, what, what techs? What?

[01:03:15] Andrew: Yep. No, it’ll be nice to actually get to see people over the Thanksgiving weekend this year. Pretty sure we just hunkered inside last year.

[01:03:30] Emily: Yeah.

[01:03:34] Do Amish

[01:03:40] Andrew: for those of you who are wondering what in the world Emily is doing right now? Uh, I mean, correct me if I’m wrong, but it sounds like you are, uh, you’re dope. Yep. Giving money to, uh, one of the local indigenous people’s groups.

[01:04:00] Emily: Yeah. I’m paying a real Brent

[01:04:04] Andrew: putting your money where your mouth is.

[01:04:07] Emily: Yeah.

[01:04:11] Check out real rent, Google.

[01:04:16] I’m

[01:04:16] Andrew: a fan.

[01:04:18] Emily: I am too. Alright. Well, uh, chickens on patrion.com/get offset. Uh, the $5 level. We’ll get you access to our discord server, which is really fun. Uh, we have merchant yells at podcast.com/shop. I’m going to try to remember to do a black Friday sale, and I can’t tell who is walking down the stairs.

[01:04:44] It sounds like you

[01:04:49] okay. All right. On that note. Thanks for watching. Thanks for listening. Thanks for saying my name is Emily

[01:04:57] Andrew: and my name is Andrew

 

[01:04:59] Emily: goodbye, E.