The Old Blood Noise Endeavors Black Fountain V3 is an oil-can delay with three modes and some special features that make me a happy lady.
Video Transcript
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Welcome to get offset. My name is Emily and I’m here with the black fountain V three by old blood noise endeavors. I think on the podcast, I accidentally called it the V2, sorry, uh, to my friends with old blood noise, that was wrong. Um, but it’s a delay to delay pedal with tat tempo and three modes and optional.
Modulation and expression pedal capabilities. So let’s, uh, let’s start with the modes. The N O D stands for modern it’s, uh, a long oil can style delay. Uh, the middle is a shorter delay and then vintage is kind of like the modern, but with some more distortion disruption. Yeah. Let’s just start, let’s just play it.
I’m using my. Fender American series Jazzmaster, which I will tune onscreen because someone’s going to accuse me of not tuning
y’all are predictable.
Okay. Is the American professional to serious Jazzmaster. Um, and that’s what it sounds like. So, uh, More into the controls, fluid controls, the amount of modulation we’ll start that at zero. Uh, I’ll start time in the middle that’s self-explanatory mix is what dry and feedback is. The amount of repeats. It doesn’t quite go into infinite repeats, but, um, if you hold down the tap, it will repeat as long as you hold that down.
As my understanding. Ooh.
Um,
turn up the next, just so we can hear it better.
Um,
Now let’s listen to the middle, the a O R G. Um,
that’s a nice little slap back. So just the time there.
Yeah.
all right. And let’s look at the vintage delay or listen to rather.
beautiful though.
all right now let’s start to fold in some of that modulation
sorry, I’m not talking. I’m just, I really love a modulator delay. That really nice, beautiful wearable. Yeah. Almost fluttered wild type thing.
so it gets a hundred percent wet.
pull it back to 50 and let’s, uh, let’s crank back up the repeats because it says it doesn’t get to infinite, but I want to see how far it gets.
No, no,
no. Mm. Mm, mm, mm, mm, mm. Mm. I mean, it’s not self isolation, but like, if you want to hit that last note and let it just repeat while you walk off the stage, that’ll do it.
and let’s see how it sounds when you crank up the feedback on the middle setting. Okay.
And then on the vintage.
that’s a lot of fun. Um, let’s see how long the time can get on all of these modes.
Nice pretty long.
Borderline doesn’t seem to matter what changed for us.
I think that, Oh, wow. Look like, look at woo
That’s funny.
Awesome. It was like a weird vibe grotto. If we turn off the modulation, maybe it sounds like a weird tremolo sounds more like a normal delay.
Uh,
and of course you have your subdivisions there for your cap tempo enthusiast.
so that’s just a quick look at the black fountain by old blood noise endeavors. Uh, it is. It’s fun. I dig it. It gets my seal of approval. I can imagine having this in my band board. I mean, I don’t really like to mess with a delay that doesn’t have infinite holds. So that feature alone, plus that you have the three different modes that are really unique enough.
I think that my favorite is, uh, that vintage kind of sound with some modulation moved in. That’s just money for me. Oh, turned down the feedback. Let’s crank the mix.
Yeah, no, this is a good boy. I like this delay. Um, Check it out. Uh, I always recommend buying things direct from the retailer, but I also recommend using reverb.com. You said you use our link in the video description and, uh, we do get 1% cash back on anything you buy from reverb.com via that link. Also click the district kid link in the video description.
Um, you’ll say 7% on your first year of distro kid and we get, you know, Five bucks if you sign up using that link. So it’s a great way to support the channel. Other than that, please like comment, subscribe, blah, blah, blah, check out the Facebook group. Thanks for watching. Thanks for understanding. Once again, my name is Emily, and until next time, goodbye.
