Recently, I went to Mike & Mike’s Guitar Bar in Fremont, Seattle, WA and fell in love with a Fiesta Red Fender Coronado ii with 1967 DeArmond Pickups. Almost immediately, I went home and grabbed two guitars that weren’t getting the attention they deserved and traded them toward this beauty.
Yup, that’s the sound I’ve been thinking about for over a year.
The Blues Driver is a classic drive pedal from Boss, even before any modifications.
This week, Emily dishes on her experience with and perspective with patience — both in terms of creating music and creating other kinds of content — giving your work the space to breathe on and eschewing perfection in favor of putting your work into the world. Sponsored by Electronic Audio Experiments and Greer Amplification. Save 10% on anything […]
The Woodcutter by Big Ear Pedals is their take on the “holy grail” of RAT pedals, the 308-loaded classic distortion/fuzz unit.
https://youtu.be/vBW4vEX071A At some point in a woman’s life, she needs to impulse buy a vintage cheapo guitar just because it looks like one of her nicest guitars melted then froze back in a weird shape. Quick correction — I picked up this guitar without researching it much. Turns out these were made in Texas, not […]
The Keeley Compressor Plus is essentially the industry standard compressor. And for good reason. Renowned by funk and country players and everyone in between, if you need a solid, affordable comp, this is it.
This week, Andrew and Emily talk about upcoming trips, sodium, the end of regulations on Indian Rosewood in musical instruments, some things said by the CEO of Fender, and Gibson selling some drum stuff. Sponsored by BOSS and Greer Amplification. Save 10% on anything at the OBNE website through the end of 2019 with the code GETOFFSET […]
The Ghoul was a limited edition (only 99 made!) Op-Amp style fuzz featuring a 3-band EQ from Matthews Effects.