The Dirty Murals by Recovery Effects is a dual delay that can go from subtle to washy dream machine in an instant.
You get two modes with the Dirty Murals. The first is a modulated oil can delay with shorter, vintage-sounding repeats and a small room reverb.
The next is long, high fidelity (but still analog-sounding) repeats and a large hall reverb.
Guitar is Tunatone Teeny Tuna
Bass is Fender Mustang Player Series
Guitar amp is Strymon Iridium, Round, B
Bass amp is Fender Rumble Studio 40
Video Transcript
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Recovery Effects Dirty Murals Demo and Review on Guitar and Bass
Hey, I’m Emily from get offset. And today I have the dirty murals. I believe the version three from recovery effects. If you follow them before, I think this pedal used to be bigger and laid out a lot differently. Um, but now here it is beautiful little standard size pedal enclosure, and I’m sitting on my in-ears.
[00:00:20] Um, and we have, uh, let’s just talk about the pedal. We have four knobs. We have the reverb, the time, which controls the delay. And the regen and the mix, and we also have the, these toggles here. Uh, so in case you couldn’t tell, this is a dual reverb and delay by recovery facts based out of Seattle Washington.
[00:00:39] Should’ve gotten that out there in front. This is recovery effects week at get offset, uh, because they’re releasing a really cool pedal on Friday, August 7th. Called the gallows in the morning. And, uh, I’ll be premiering that demo along with their demo and probably some other demos. I don’t know, but they’re my neighbors.
[00:00:58] They’re great people. Zera and Gregg wonderful humans, uh, have the best catio in the city that I’ve seen. Um, but yes, duel, reverb and delay. With two modes. Up is more of an oil canned type of delay, slightly shorter repeats and a small room type reverb and down is a longer delay. Yay. Um, with a large hall reverb.
[00:01:32] I think I have that right. That’s what I kind of heard up to 400 milliseconds of delay time on this. Uh, I really had a lot of fun filming this demo and it’s a beautiful pedal. It really is very functional. It could be an always on pedal for you, even if you don’t play the weird stuff. Like shoegaze, ambient church music, praise and worship, I guess, is what you call that.
[00:01:58] Uh, like it can go from very subtle to very weird, which I definitely appreciate. But I suppose you probably just want me to shut up and get to the demo. I’m playing my tuna tone guitar through my strymon iridium round B with my sinasoid cables on the guitar part. And on the bass part, fender Mustang, player series, bass, vendor, rumble, studio 40 and also sinasoid.
[00:02:20] Okay. Yes. I usually put that in the description, but people kept asking me because I realized that when you read the description, so without further ado here is the pedal.
[00:04:43] that was unexpected. I liked it. We’ll do it again.
[00:06:02] Hey. Hmm.
[00:10:54] Mmm.
[00:11:54] Yeah, I would say that goes from like subtle F to a washie washie heaven. Yeah, that’s another really, really good one that I know a few specific Patreon supporters are really going to, uh, poo themselves over. Oh, that made me so happy. All right. Let’s see how it sounds on bass. I’m not going to do drums and cents on this, but a bass.
[00:12:30] That’s that’s my speed tonight. Alright. Say it a second.
[00:12:45] Mmm.
[00:12:52] Hmm.
[00:14:02] Wow.
[00:14:08] Another really beautiful unexpected sound. I liked that.
[00:16:30] Five seven nation army. I’m sorry.
[00:16:44] I know that sounded familiar.
[00:19:06] Oh, there you go. I have it. That is the dirty murals by recovery effects. Uh, it’s a reverb and delay pedal, and it’s nothing really normal about it. It can get some subtle sort of wash in there, but I think for the most part, it’s like a pretty washy shoe gazey. Really lovely. Lots of sounds in there. I like, I think I prefer it with the toggle down and especially on bass, I felt like with the toggle down, um, before you mix in too much of this, uh, time knob, it sounded almost chorus a tell me if I’m being crazy, but that was what I heard in my ears and I really liked it.
[00:19:50] Um, yeah, I got another great pedal. For recovery week. I it’s, it’s pretty awesome. Obvious that they have a bit of a, um, niche like ambient and shoe gaze so far seems to be like most lovely stuff that I can imagine using these pedals with. But I mean, I was playing jazz stuff on the guitar, so yeah. I mean, make up your own mind about that.
[00:20:23] I really love this pedal. Uh, again, probably not, not an always on guy, except for certain genres of music, but Ooh, that was some beautiful texture stuff. And I, yeah, I couldn’t, I could not, I think be more pleased with it, especially when you turn this region up all the way, the toggle down and he started to get that overdriven signal.
[00:20:46] I wasn’t expecting that at all. That was awesome. I really, really liked that. Um, And I, yeah, I really love that. Especially on the base. Like, it was just such a nice little, like almost Easter egg kind of feel you can get pad reverb stuff here. If you could hear that kind of happening. Um, ambient washy, like for, for being a very out there kind of pedal, which I think if you’ve watched this channel before, you know that I think if a pedal doesn’t go too, if a pedal doesn’t go too far, I don’t think it goes far enough.
[00:21:20] So that’s, that’s kind of. My mindset, my pedal philosophy and this, uh, this definitely goes too far and gets my little seal of approval, uh, in that way. So, yes. Thanks for watching. Thanks for understanding, please like comment, subscribe, check out my other pedal demos of used recovery effects. And if you’re watching this before, August 7th, 20, 20, come back on August 7th.
[00:21:51] I’ll have a demo of their new pedal gallows in the morning. And, um, it’ll be available then I’m really excited about this premier probably as much as I’ve ever been excited for a pedal pedal premiere. So yeah. Exciting things are happening everywhere. Check it out and I’ll see you next time
