The Fire Fuzz is a stellar fuzz that offers everything from smooth to harsh sounds, even vibing on the edge of overdrive with your guitar’s volume turned down.
In this demo, I cover the Fire Fuzz on both guitar and bass. The sustain on this pedal is huge! I absolutely loved it on guitar (it gave me an instant smile), but I especially think it’s amazing on bass. I don’t have a bass board yet, but I think I’ve just found the first pedal I’d put on it!
The Fire Fuzz and all of the Dogman Devices noisemakers are completely hand-made (and the enclosures are hand-designed) in Oxford, Ohio.
Guitar is Tunatone TeenyTuna
Amp is Strymon Iridium, Round, B, no gain
Episode Transcript
Note: a machine made this, so it’s not perfect, but if you’re hearing impaired and have any questions about what we said, please feel free to ask us in the comments or send us an email with the form below.
Hey, my name’s Emily and you’re watching get offset. And today I have the fire fuzz by dogman devices. So, I think that a lot of people heard about Doug man devices at the same time when, when Jason Isbell tweeted about them, when someone asks him, if he knew of any black guitar pedal builders. So Andrew Renard and I had him on the podcast, we kind of talked about.
A whole slew of things. It’s a great episode. I think you should go listen to it. I’ll put a link in the bio, but after talking with Lance, I ordered a fire fuzz. So this is kind of this flagship product. he has a couple of things right now. He has this, he also makes an overdrive. He has a, I think an AB Y box and a feedback loop called the Ora Bora, which I think is very funny.
Buddy name and very fitting. he’s a great guy, based out of Ohio. So I, you know, I’m from Ohio. I love Ohio. Sometimes it’s a great place to visit. He lives in, Oxford, Ohio. It was just basically Indiana, but we, we take it. I’m playing my TunaTone teeny tuna by Leila Sidi up in, Edmonton Alberta, Canada, my transit lab cable.
I think that a builders in Canada as well, I’m thinking of the striving radium round B gain all the way back. turn the room back a little bit. And yeah, so let’s get to. Playing this pedal and I’m going to shut, shut the hell up.
volume, tone, and buzz.
[2:12]that’s immediate joy. That’s also with the phys all the way down.
[5:25]now I am going to, roll back the volume knob on my guitar and see how that changes, how. The fuzz interacts with the guitar.
all right. I will try some bass now. Stick around for that. Not the best bassist in the world.
[7:00]Hey, I said, I need back and I am a, I do want to point out that if you heard like a weird high pitch noise earlier, that wasn’t a pedal. That was my power supply. I got a new power supply and they’re going, it sounds just fine.
Now I’m playing my. Player Mustang, my fender player Mustang through my Mustang, studio 40 amp. And that’s just the first setting. So cool. Let’s see. I get to it.
alright. That’s the clean sound on the Rumble and make sure the game is down. Yeah.
[11:53]try it. Rolling. The volume. Wow.
[12:59]let’s try it on the other pickup.
Oh, I think I like it even better on a on bass. That is nuts. Damn. That just makes me want to play nasty garage rock for like hours. That’s cool. Yeah. So that’s a Lance from dog man devices. another thing I didn’t mention about, about, how he does these is right now, he hand etches. All of this. So he had finished his, these, I’m not sure how this will show up, but yeah.
So that’s very time consuming. It makes it a less of a cheap fuzz, but I think he’s working to maybe do some, some other finishing options. I like screen printing, but I, I don’t know. I don’t know what the future has for dogma and devices, but. I really like this fuzz. I think it’s going to go on my personal baseboard.
yeah. It’s it’s cool. Great job, Lance. thanks for, thanks for doing what you do again. Please check out the episode of the podcast we did with Lance from Doug main devices, because there is a podcast. It started as a podcast. and, until next time, my name is Emily, please. Like comment, subscribe below.
Goodbye.