One of the most well-known devices from Earthquaker devices, the Afterneath is an “enhanced otherworldy reverberator” that’s unlike anything else I’ve played. You might even have seen our demo of the V2 Afterneath with limited edition loch ness artwork.
The V3 has everything you love about the V2, but with MORE. More what? More options tied to the “drag” knob. On its own, the drag “separates individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return.” Turn to the left for tighter reverb, right for “a scattered ping-pong delay effect.”
But the modes are:
1. Unquantized: Smooth, unquantized response over the operating range
2. Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The “Drag” will lag behind the knob or cv changes, but then quickly catch up.
3. Unquantized Volt/Octave: Smooth and unquantized, yet scaled to align with the 1v/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage controlled oscillator.
4. Chromatic Scale: Quantized 1v/octave to the chromatic scale
5. Minor Scale: Quantized 1v/octave to the minor scale
6. Major Scale (Lydian): Quantized 1v/octave to the major scale (Lydian)
7. Pentatonic Scale: Quantized 1v/octave to the pentatonic scale
8. Octaves & Fifths: Quantized 1v/octave to omit all but octaves and fifths
9. Octaves: Quantized 1v/octave to omit all but octaves
Guitar is Fender Jazzmaster and amp is Strymon Iridium, Round, B.
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