Episode 108: Called It!

Episode Transcript

Note: a machine made this, so it’s not perfect, but if you’re hearing impaired and have any questions about what we said, please feel free to ask us in the comments or send us an email with the form below. 

Andrew: [00:00:00] welcome to the, get off set podcast. My name is Andrew

Emily: [00:00:18] and my name is Emily.

Andrew: [00:00:20] And, uh, well, I I’m happy to say. My love of orange and all things orange no longer has to be tainted.

Emily: [00:00:32] No longer has an Astros Astra, Astra, Ash,

Andrew: [00:00:35] or an ass that works to

Emily: [00:00:37] Ash. At-risk. That was a strong start. As far as my speaking abilities,

Andrew: [00:00:46] it’s been an exhausting election week and I am, um, yeah, no, like I literally like, how did I have this together?

I think this was pieced together like this, and this is what I had Tuesday night last week. I don’t know if you can read that, but like I put like,

Emily: [00:01:07] Are you, is it like some sort of election counting? It

Andrew: [00:01:11] was the remaining States ahead and been called yet. And I was putting together a matrix for the number of ways that Joe Biden had to win and trying not to think about the number of ways that, um, Trump had to win.

Cause at that point, a lot of those States are red still because they hadn’t started counting mail-in ballots. And, uh, may I just. Exhausting week for me, she was trying to keep up with everything. It’s like, I couldn’t peel my eyes away, but at the same time, like, can I just like turn on like something on my phone.

It’s just going to notify me when it’s called and I’ll just try to ignore that it’s happening.

Emily: [00:01:46] It’s like, um, so Tuesday, I just, as like, I’m not even going to follow the results I needed. My husband Rick was going to, and I knew it was going to be stressful. Like watching that man watch a football game that he’s not even that invested in and stressful enough.

Cause he likes, stands up and I was like, So like first, like he really cares about like, I CA like, I’m like, I can’t, that’s just too much energy. So I was just down here in my office, um, playing Stardew Valley on my iPhone and you know, what, it was a great decision for my, um, mental health. And, uh, but so then, um, my family came into town and.

Um, we were about to try to drive over to my brother’s house and, uh, our car wouldn’t start. So the next morning we called a tow, our neighbor loaned us a car in the meantime, but the next morning we called a tow and I’m like, Rick, what are we up to call AAA to get my tail in? And, uh, I’m just kinda laying in bed, just kind of halfway between sleep and awake.

And I hear Rick say. All I hear him say is called, called, called. And he was saying they called it. But I thought he was talking about like the tow company had called us. I’m like, great. Please go deal with that. And then I finally realized the same thing. They called it. I was like, Oh wow. And, and now I’m wearing my hunky Joe shirt, drinking Seco.

But if we have recorded yesterday, Andrew, I think that, um, we would have been recording right after they called it. Yep. Yeah. I don’t think it would have been a very coherent episode at that point.

Andrew: [00:03:33] Yeah. I think we got our phone started blowing up when I got called, like right after nine o’clock our time and, uh, yeah.

Emily: [00:03:46] So we wouldn’t. So we would have literally been like, had just started recording. Probably we would have had to stop

Andrew: [00:03:54] that we would have stopped. I don’t know. I got out of bed relatively quickly. I mean, I sat there and like checking the notifications, going like, Oh my God, is this real? Is this real is happening?

I can’t believe it’s happening. I really didn’t think this was going to happen. And, uh, So got up and made a tasty breakfast, crack some champagne. We did mimosas, but I did something a little bit different as I put the champagne in, um, naked mango juice and orange juice.

Emily: [00:04:25] And, uh, yeah, that’d be good.

Andrew: [00:04:28] That was pretty tasty, but I only had like a small glass.

I’m like, I’m like, cool. Like, I’m mean have my small glass, I’ll have more. After I eat my breakfast, I sat down to eat my breakfast and I looked at the bottle and like, Oh, who finished it probably handed out one bottle of Prosecco for three adults. I should, it was first Seco. It wasn’t champagne. It’s just what we had.

Emily: [00:04:53] Well, no, that’s what we’re, that’s what we have to, but I went to the grocery store cause I told you, Rick had bought just in case like the tiny one of those tiny little bottles of Prosecco. I was like, no, I’m going to the grocery store. Cause I want to, I wanted to get pulled off to share with our neighbors and, but I was going to the grocery store.

I had to go anyway because I needed to bake. I needed to bake an Apple pie for a family gathering and uh, the woman right behind me. The self-checkout. She has had an enormous box of top pot donuts from the QFC. And for those who aren’t either in Texas or Washington, top pots, a donut shop is really popular and delicious.

And there is like a location in Texas. Yeah, I think Dallas.

Andrew: [00:05:43] Oh, wow. I didn’t, I

Emily: [00:05:44] didn’t even know that actually. You know what I might be thinking about how voodoo donuts has. A location in

Andrew: [00:05:52] that

Emily: [00:05:54] they have a location in Austin. I’m like 85. Top pot does exist in Texas. There’s one in Dallas and one in Austin at least.

Texas LaVar donuts in the Pacific Northwest, but, uh, she’s had a big box of top pot and a bottle of champagne. And she looked at me and she saw like me buying ingredients for an Apple pie and we made eye contact and were like,

Andrew: [00:06:26] yup. Yup.

Emily: [00:06:29] Everyone was laughing. And like, it felt, I haven’t felt that kind of level of like levity in Seattle since COVID hit.

So that felt really nice fireworks. There were people, some of our neighbors were just in their front yard dancing with bottles of beer at nine in the morning. I was like, I respect the energy,

Andrew: [00:06:58] addic, the energy, although I’m not going to lie. I’m a little freaked out watching, like the crowds of people suddenly congregate.

I’m like, this is why we needed. Mail-in voting in the first place.

Emily: [00:07:08] It’s different when it’s outside and you’re wearing a mask. It’s a lot. It’s like, well, when you look at like the BLM protests, there were very few cases trace back to those protests because they were mostly outside and people were mostly wearing masks.

Kind of like it, like how studies have shown that airplanes, if everyone wears a mask and concerts and everyone wears a mask and like there’s air circulation, the risk of transmission is exceedingly low, not zero.

Andrew: [00:07:36] You just put me in a bubble,

Emily: [00:07:39] the NBA bubble?

Andrew: [00:07:42] Uh, no, just like a literal, like plastic bubble with an air purifier strapped

Emily: [00:07:47] to the featuring and starring Jake Dillon hall.

Yeah, I think there was one, I think the first one was, um, maybe John Travolta. Am I remembering that right? The first bubble boy movie.

Andrew: [00:07:59] I do not remember. I don’t think I’ve seen either of them because it sounded like a terrible plot, but

Emily: [00:08:05] yeah. Well the plot is a boy with an auto extreme auto immune disorder has to live in a bubble.

Like a literal bubble.

Andrew: [00:08:16] Yeah.

Emily: [00:08:17] Yeah. He falls in love. Yeah. No, I mean, I’m not saying it was a good movie. I’m just explaining that. It

Andrew: [00:08:21] just sounds like unnecessarily tragic. Like why do you got to do that to me?

Emily: [00:08:27] I mean, it, might’ve just been like a prediction of the future.

Andrew: [00:08:32] Well, hopefully this prediction of the future is true, uh, in that I would really.

I am really looking forward to hopefully politics, no longer being about just being angry and who can be the loudest and just kind of that destructive nastiness that’s been brought down culturally in the way that we talk about politics. And like, I just want to talk policies for a talk politics. I don’t want it to be about decency.

I want it to be about policy.

Emily: [00:09:03] Yeah. I don’t want it to be about calling people losers and suckers. I just want, I like. I grew up with Bush and I’d really disliked Bush, but at the same time, I’m like, I think George W. Bush would have implored people to wear masks and be like good to their fellow humans, because I really do think he, he is and was like a Christian.

And I think that he was misguided. I don’t agree with him on most things, but I think that he, wasn’t a hateful son of a bitch.

Andrew: [00:09:34] Yeah.

Emily: [00:09:36] I’m not going to believe that.

Andrew: [00:09:39] I, I just, I really want to go back to that because

Emily: [00:09:43] I don’t,

Andrew: [00:09:44] well, not Bush specifically. I’m just saying to the point in the world where we can look at people across the aisle and say, I disagree with you, but that doesn’t mean that you’re a terrible human.

Emily: [00:09:55] Yeah. I think my favorite meme from, um, like the election results was about Arizona and it was Trump. Trash talks, John McCain for the past six years in Arizona, and then his son, Michael Jordan meme from the last dance where he says, and I took that personally.

Andrew: [00:10:14] And I took that personally.

Emily: [00:10:16] I think that John McCain, uh, though he did terrible things for the LGBTQ community.

Uh, I think he meant well and at least. Had a level of human decency that I just want to see return to politics, like doing things the right

Andrew: [00:10:34] way.

Emily: [00:10:37] I don’t know if we’re losing listeners because at this point, like, I feel like if you’ve listened to this podcast and you listened to my feminist rants for like the past two years, Then you wouldn’t be surprised by this. So maybe we should talk about guitars. I got some new stuff I’m kind of, I’m kind of excited

Andrew: [00:10:54] about it.

One more thing, one more thing. I want to warn everybody, because if we’re going back to just talking about policies, I think it’s going to start to completely change our friendship dynamic because I think you and I disagree on a lot of policies and we’ve just been United under the yeah, probably. Yeah. I mean, I tend to lean more fiscally conservative.

And like, I’ve been saying since the beginning of the show that I’m a recovering conservative,

Emily: [00:11:20] and

Andrew: [00:11:21] I don’t think I’ve like, that’s really come out because I’ve just been so like turned off by the nastiness out of the white house since we started. Like that happened before we even started the podcast.

And we’ve just been very United under that front. And I’m like, wait, we’re going to have to start disagreeing on stuff. Now

Emily: [00:11:41] there’s also a guitar podcast.

Andrew: [00:11:43] I know, I know.

Emily: [00:11:44] I think you’re pretty socially liberal and I really care more about like, as, as a friend, as friends, like if you’re a super socially conservative and I don’t mean like, in some ways, I mean, like.

Racist is sexist. Yeah, there is, there is, you can be, I think, socially conservative and not a trash heap of a hateful rhetoric machine. Like I think there is, because I think that you can be like, that’s not for me, but you do, you

Andrew: [00:12:20] sure.

Emily: [00:12:20] And I feel like that’s fine. Like, don’t get in anybody’s way. Like. If you don’t, if you, if you don’t believe in gay marriage, then, I mean, don’t try to keep other people from getting married.

It’s like that. That’s what I mean, like, yeah, in my heart, I don’t feel like that’s right. But at the same time, like you live your life and I would rather everybody accept each other, obviously, but I mean, if you’re going to like, hold personal beliefs, then keep them personal. That’s why I’m not, I’m not super coherent.

I’m just very excited, but I got it. I just want to talk about

Andrew: [00:13:03] guitars guitars. Tell me about your guitars.

Emily: [00:13:07] I don’t have any new guitars, but my mom is coming over today and she’s going to play some of my guitars because, uh, she, she, uh, I got my first guitar from her, my first guitar lessons from her, but she’s never had an electric guitar until this year.

Um, so she wants to she’s I think hooked. And, uh, she wants to try out like some of my guitars, but, um, I have some cool things. I have this calves is mano. Oh,

Andrew: [00:13:34] what? Yeah. Well, yeah,

Emily: [00:13:39] I don’t remember a couple of ends in the past week, but like, I’ve just been so behind, I just, I’ve been kind of, I’ve been turning things down.

Honestly,

Andrew: [00:13:50] I’ve heard nothing but good things about the cab zoos.

Emily: [00:13:53] I’m really excited. I think it’s going to change how I do my base demos. Um, I got this, the OSI

Andrew: [00:13:59] OSI five heck. Yeah.

Emily: [00:14:02] Yeah. So I know that you’re excited about this because I think that, you know, it’s probably going to come your way at some point.

Andrew: [00:14:09] Yes, please.

Emily: [00:14:11] The boss pocket GT.

Andrew: [00:14:14] Very cool. Very cool.

Emily: [00:14:16] Yeah, yeah, yeah. Yeah. And then, um, there’s, they’re, they’re not within arms reach, but I got two pedals from swamp, which then I’m going to demo the fuzzy tremolo that they make. And, uh, Eat the rich puddle. And I know that he donates a portion of the proceeds for the ether, rich pedal to, um, some really positive charities.

I just am blanking on which ones, but I think they’re like hunger, like solving hunger issues in America. I might making that up. So I waived my demo fee for, for that one, because I’m like, if you’re donating a portion of the proceeds of this pedal to like feed hungry people, then I’m not going to charge you to demo it.

So. Keep that in mind, if you want me to pedal. Yeah. Yeah. So, um, that’s, that’s kind of it on my, my new things. I think I’m fine with it. I’m about to get a standing desk, which I’m excited about, but I won’t. Yeah. About too much. How about you? What’s new with you?

Andrew: [00:15:24] Uh, I don’t have a whole lot. That’s new with me.

Um,

Emily: [00:15:27] yes. I see a box behind you. If you’re listening to the pod pod, a pod go box behind Andrew

Andrew: [00:15:36] that’s. That’s just no big deal. It’s just the, uh, it’s just the

Emily: [00:15:43] he’s grabbing it listeners. He has to unplug it, which means he was playing

Andrew: [00:15:49] it. I’ve been playing the soccer all week and this is the line six pod go. And I’m loving the, uh, loving the, uh, all the signage that calls back to the red bean. So you can see on the back, the background

Emily: [00:16:06] sticker

Andrew: [00:16:08] the sticker with a serial number when you boot it up the screen boots red with the outline of the red bean.

Emily: [00:16:14] Uh, yeah. You don’t judge me on the presets. I made just for the, just to show people how to make a preset.

Andrew: [00:16:21] Oh no, I, I think I already cleared those, um,

Emily: [00:16:26] exceeded your expectations because it honestly exceeded mine.

Andrew: [00:16:29] It completely exceeded my expectations. I really wasn’t. I wasn’t expecting it to do as much as it’s doing in every single preset.

I was expecting to have a lot more limited options of the DSP. And it’s still doing a lot more. I know that the helix can do quite a bit, uh, but overall, this is totally, totally exceeded my expectations. I think the only chunk of this that I haven’t liked so far is there’s a couple of the distortion models that I’m not.

I’m a huge fan of like the rat, the rat model. Isn’t honestly, I really did like it, but the, the, um, the Klein model is phenomenal. It’s like, what the heck? Um, it does

Emily: [00:17:16] exactly whatever they call it.

Andrew: [00:17:18] It takes the miniature and it just does exactly what, what klong clones. Uh, should be doing. And, uh, I was really, really impressed by that specific, that specific overdrive model.

There’s a couple of pitch effects that I’m like, it’s glitching out a little bit.

Emily: [00:17:37] I didn’t like the picture facts, but I don’t like facts in general. Well, I didn’t even get to really mess with a lot of them because I didn’t want to plug an expression pedal. And I didn’t also, I also didn’t want to go through like figuring out if there was a way to change the volume pedal to make it an expression pedal instead.

But, um, I didn’t like, I didn’t like some of the pitcher facts. Um, I mean, with anything like that, some like you’re going to be hit and miss on the distortions and the overdrives and I think the amp sounds were largely fine. Like sounds I didn’t like were just like sounds I don’t like, like box kind of sound.

Andrew: [00:18:11] So I, uh, one of the amp sounds that I’ve been leaning on this week is the, uh, fender deluxe reverb because. I’ve got one sitting right there and I’ve also got the model in the Iridium. So I’ve been playing with that, um, with digital variants on that sound for awhile anyways, I’m like, okay. So I know what that’s supposed to sound like in my head.

So I’m going to pull it up. I’m going to listen to it and go and think comparatively. And it’s pretty spot on it. At least for a clean tone. If I crank it up, crank up the drive a little bit, it breaks up a bit differently, but no one gets a deluxe reverb for the car. For the dirt sounds.

Emily: [00:18:50] Right. I think, I think the Iridium probably like, I, I feel like playing there through that.

It felt like a more natural sort of pushing of the tubes, the fake tubes, and then the other things I have played, but yeah,

Andrew: [00:19:05] but this cost the same as an Iridium.

Emily: [00:19:09] This is

Andrew: [00:19:10] four 50,

Emily: [00:19:12] not even, I think it might be 400 or. It’s either four or $500. And I think about it. Um, but I was the thing that most surprised me in a negative way about it was I thought they were going to be a lot more reverb, those, and they really weren’t.

It seemed kind of limited on them reverb offering,

Andrew: [00:19:31] you know, I disagree. I like three of, of offerings that they had.

Emily: [00:19:35] I mean, I liked, I liked the ones they have, but I, like, I was expecting, like there was a lot more delay. Like I, I haven’t really seen yet, but I filmed it. So. Like in my allotted time, I did Reaver pitch and filter, and I was not expecting to do all of those in one video until I saw how few reverb mounts there were comparatively, I was like, well, I might as well just finish this.

Andrew: [00:19:58] So I was going through the river modes and first glance I’m like, this doesn’t seem like a lie. I mean, at first glance it covers the basis. And once I started digging into them and realizing how many pounds there’s like, so many of the reverbs have like three flip pages, it’s just like, like 10 to 15 parameters you can tweak.

And I’m like, I like pulled up a river. I’m like, okay, this is what it sounds like in the stock. Like, this is your particle verb. I’m like, okay, that’s pretty, the partner called verb is actually my favorite. Yeah. Under the budget. I’ve just been loving how luscious it is, but I started, I started digging into it and I can get it, get super wacky and do all kinds of cool stuff.

Um, some like I can get into do like some sort of shimmer stuff and like, Uh, really thrown by how flexible it is. So even if there’s only a handful of river models, what I’m able to get them to do, it covers anything I should reasonably need for a Sunday morning, uh, or a gig, or honestly, if I, if anyone spends enough time to just sort out what their sound is, the only soft way I really see on this is if you’ve got, um, Like weird signal, right.

That you want to be able to do. But if you’re just cool with sticking to mono or stereo for your rig, uh, really the only thing I can, I can see where I would want to like throw a pedal in the effects loop is like for pitch stuff. If you’ve got something like a rainbow machine or, um, a POG or something pitch related that you, you really want it can’t be replicated.

And this, at this

Emily: [00:21:31] point, we didn’t really have anything granular. So if you want like some sort of granular thing, but yeah, I’m just saying

Andrew: [00:21:40] I had a big crusher, the big crushers. Great. But

Emily: [00:21:43] that’s not like, that’s not like, um, that’s not like the, a Grazer.

Andrew: [00:21:48] No, I don’t expect them to have that.

Emily: [00:21:53] No, of course not.

Andrew: [00:21:54] This covers every basic assessment then some that’s the thing.

Emily: [00:21:58] Um, Yeah, I’m trying to Oh, and the sense sounds were good. I thought,

Andrew: [00:22:03] yeah. Yeah. I forgot about that. I

Emily: [00:22:06] was like impressed. I was real impressed.

Andrew: [00:22:09] I think the thing that’s really struck me the most is, is the depth, because I expect you to plug it in and I expect to have like five overdrives and a couple of delays in a reverb or to amp and cab and like a pitch effect.

It’s what I imagined in my head when I saw pod go, but $450. Um, and just. I know, I shouldn’t have thought that because I’ve played with the previous members of the, of the, um, pod line. Um, so like the pod HD 500 X has a pretty decent amount of depth and that, um, I’m just older DSP technology, but it just really blew me out of the water.

Um, I, it plugged it in. I really thought I’d be able to get through all the settings in a couple hours and an evening. And I just started going like, Like I got through amps and pitch effects and like two reverbs. And I realized I’d been, I had to beat up for working like five hours. I’m like, whoops.

Emily: [00:23:06] I, I hope that you now see like, why it took me so long to get it to you.

I was like, I can’t, I can’t fill them all of these in one

Andrew: [00:23:14] day. Right. Um, no, I really don’t blame you. So I’m, I’m still sifting through it. Um, and I think, uh, once I get through the rest of all of the settings and kind of playing around, figuring out what my favorites are going to be, I’m think I’m just going to work on building.

Oh, I haven’t even pulled, you know, what I needed to do next is I need to plug it into a computer and start playing with it in the editor because I’ve

Emily: [00:23:38] just, yeah. That the editor is actually really nice. And I told you the. I imagine that you can reregister it for your email address, but I did use our joint email, our email address,

Andrew: [00:23:50] right?

Uh, no, I, I haven’t felt the need to plug it into the editor yet. It took me a couple of minutes to figure out the button interface, um,

Emily: [00:24:00] on the front, the pushing and the pressing and turning for like the fine tuning.

Andrew: [00:24:08] I, it took me a couple minutes and now I’m feeling really comfortable with it. And I haven’t felt the need to plug it into the editor to this point.

It’s just literally, I put it up on my work bench right here, right behind me and plugged in with a guitar and just sat there and just played around with it. I’ve probably sunk like eight hours of practice, time into this in the last week and a half.

Emily: [00:24:30] And I still feel a lot of time for one week with one puddle.

Platform

Andrew: [00:24:35] it’s it’s I shouldn’t like it this much because I’ve been saying for years that I don’t want to get into multi-factor and I don’t, I don’t like having to do menu dives and I still, I still stand by that and I’m not loving the menu dive thing, but as far as menus go, it’s really intuitive. Like if you’re going to go menu, dive this, this feels really nice.

Um,

Emily: [00:25:00] My light fell. I got one of those loom cubes, like, like six to the back of your monitor. And I don’t know if it’s at my monitors back is just a, it’s like a little bit matte instead of glossy, but it has fallen down every time I put it up. So let me just. Adjust my lighting.

Andrew: [00:25:18] You’re all good. I’m actually, my lighting today is brought to you by the sun.

I’m facing the window out the side of the room and opened up the curtains. And sun’s coming in through this way. Just filtering in real time.

Emily: [00:25:31] No, I just, um, I’d emailed loom cube earlier today and be like, it just keeps falling off my computer. Like if I could get like a clamp Mount instead, I feel like that would be a better solution

Andrew: [00:25:43] for me, but sure.

Emily: [00:25:45] Whatever I’m about to get a standing desk. And I’m really so excited about it. I haven’t had a standing desk since I worked in an office.

Andrew: [00:25:53] I, I have a standing desk at work, but I can’t use it because the way the, my monitors are set up, cause there’s a, there’s also shelf right over my desk. So if I were to move my mind, move the desk up, monitors, monitors just get crushed.

So unless I want to like lose half the depth of my desk and bring all my monitors forward.

Emily: [00:26:13] Yeah, no, not unless you can get like one of those, um, keyboards that pulls out, which is also, I’m also getting that and want to get a nice little stool, but I’m excited. I’m excited to health. I would toast to that, but I finished my sparkling.

Andrew: [00:26:31] It’s all gone. I’m still working on my, um, my non tablet for the morning.

Emily: [00:26:38] What’s that?

Andrew: [00:26:40] Um, this has 50 milligrams of caffeine and the whole bunch of electrolytes.

Emily: [00:26:46] Okay. So it’s like hangover juice.

Andrew: [00:26:50] I’ve definitely to bat it before as a hangover thing, but I’m 100% not this morning. So

Emily: [00:26:55] this is,

Andrew: [00:26:58] this is just my, uh, it’s nice.

I don’t know. Sometimes it’s nice to mix it up from coffee. It also take, took me 30 seconds to put this together.

Emily: [00:27:08] These were both full of coffee. They’re both almost gone, man. I all know like I’m no, I’m not the only person I know who took a very long nap yesterday. Just like releasing the stressors of the past months.

Um, but I think it would be a good time to thank our sponsors. What do you think?

Andrew: [00:27:30] I. No. I was thinking, instead of thinking our sponsors, we could think our sponsors, what about that?

Emily: [00:27:38] Uh, you know, what? You drive a hard bargain.

Andrew: [00:27:42] I I’m known for that. So the reputation I have is our response to this of the get-ups at podcast this week is district kid.

Emily: [00:27:55] I love this joke and I’m going to be honest. Like I used to incorporate years and moving distro kid was easy and a good financial decision for me, I think because it costs me like 40 or 50 bucks a year to keep my music on tune core and they might have a couple more like stores. So there might be some more like incremental revenue in, but district could add stores every day.

And I know there’s no way I was making an extra 30 bucks a year on those whatever little extras at tune core had I made all my money from Spotify, iTunes and title. And those are all things that this show kid has. And this your kid is getting more things. I keep hearing about it. Um, and like to put your music online in perpetuity with district kid, it’s like a $50, one time fee.

If you, if you don’t want it, like. This, your kid is made to be prolific, but if you really just want to do one record, it’s like 50 bucks and then you don’t have to worry about it ever again. And that’s pretty great. But, um, yeah, no, I’ve been working with distro kid. Like every time you schedule the release, There’s going to be hiccups, especially if it’s your first time scheduling a release, like it was ours and the show kid, every issue I’ve had, they’ve walked me through it.

They’ve proctored between like, Me and Spotify, when Spotify wasn’t showing the Sunday crush under our upcoming releases under our Spotify profile, um, helping us get that instant gratification for the song. Good boy, if you pre-order a real sensation. Uh, so they’ve just been real, really helpful. And it’s been just phenomenal, um, to, to, to, to experience the difference between, um, what I had been using and distro kid, like from someone who’s used multiples and from someone who’s also had to deal with like CD baby support, because right now I released a song through a compilation that was really through CD baby.

And like, I just played the song, like on my guitar and a demo once. And they’re trying to issue like some sort of take down order and I’m like, screw you guys. This is myself also, wasn’t playing a recording.

Andrew: [00:30:20] Right?

Emily: [00:30:22] I’m not about that.

Andrew: [00:30:26] Well, I think the moral of the story is CD baby, not a fam their moral of the story.

This per kid. I’m a fan. I

Emily: [00:30:36] CD baby used to be like the thing. And it was really weird and like 2009, 2010 CD baby just like went completely radio silent for a number of months. And I was actually really surprised when I realized a few years ago that they still existed because I just had assumed that after all that they went under.

Yeah.

Andrew: [00:30:58] Every time I hear that every time I hear someone say CD baby, like if you say it just slightly like two faster slurred a little bit, it sounds like Santa baby. I’m like, it’s not after Thanksgiving yet.

Emily: [00:31:09] DD, baby. I think, I think that they probably, um, immensely regret the name now back then it was like, People bought CDs.

And now my niece, like my niece knows what a vinyl record is and how it works. I talked to her about it, but I brought over the Sunday crush CD and gave a copy to my brother and showed her. And she was trying to put it on the turntable. And we’re like, no, that’s really cute that you want to listen to MES music, but it didn’t record a guitar on that record.

That’s all right. I don’t care.

Andrew: [00:31:50] Well, before we start our topic today, um, one more thing is I would like to try something new here. So guitar pick ASMR.

Okay. Sorry. I can’t not laugh.

Are those gravity

Emily: [00:32:21] picks now these are strange oil packs.

Andrew: [00:32:24] Okay. Yeah, I’ve got it. I’ve got a string joy pig as well.

Emily: [00:32:27] I bought some from Scott. Did he send you some

Andrew: [00:32:31] mine says my actually says Scott string, joy.com on it.

Emily: [00:32:35] It really,

Andrew: [00:32:36] it does. Yeah. It says Scott, enjoy.com.

Emily: [00:32:39] Mine are small, but. Oh, that’s so weird.

Andrew: [00:32:44] I know

Emily: [00:32:45] everyone’s going to email Scott.

God, why would you just put someone’s? Well, now I can finally get rid of all of those, uh, all of these ugly boys. Actually. I still have so many of these.

Andrew: [00:32:58] Uh, I’ll take a couple if you’re giving them away for free.

Emily: [00:33:01] No, I was going, I was basically saving them to take them on tour and then I would just like,

Andrew: [00:33:08] Throw them

Emily: [00:33:08] at people and not be upset about it.

I dropped the pick. I just lose them and not be upset about it.

Andrew: [00:33:14] Here’s another phone when I’ve got

Emily: [00:33:17] silver, she’ll have her shine

Andrew: [00:33:20] Silverstein. Um, I caught this when they were playing, uh, pre pandemic a show on the last shows I went to

Emily: [00:33:30] shell reference.

Andrew: [00:33:32] No, no, it’s uh, this is, this is a band.

Emily: [00:33:39] These do an album where they do metal versions of, I don’t know who they are, but I assume they’re metal or hardcore hardcore versions

Andrew: [00:33:46] of it. No course. So like they do a little bit of screaming, but they’re also sold kind of pop punk ish. Okay. Well, they should do a

Emily: [00:33:53] record where they cover Shel Silverstein’s poems.

Andrew: [00:33:57] I agree, but they’re all, they’ve also got like some great Midwestern emo things going on. Um, just a little bit more edge than, uh, Then some of the original, no, I’m not even gonna say that. You know, um, I’ve got that. I’ve got some standard Dunlap toward Texas. I’ve got an Ernie ball prodigy that, uh, Tom gave me Tom Kelly and I back when fender made picks, I don’t even know if they still do, but I’ve got, I’ve had,

Emily: [00:34:26] I’ve

Andrew: [00:34:26] had this.

Emily: [00:34:27] It’s not a focusing. Pull it over your face. No. Oh, there it is. Wow. You’ve had that for a long time.

Andrew: [00:34:35] I’ve had like, this has just been floating around like my guitar cases since I was in high school.

Emily: [00:34:41] Now you’re out of focus, completely wave your arms, a little

Andrew: [00:34:48] bogus. You can do it.

Emily: [00:34:51] Who, who. There you go magic

Andrew: [00:34:59] my camera doesn’t doesn’t understand me. That was a really, really weird tangent on a topic ASMR, but I feel like, you know, you should make that a demo video, just, just straight up record and, and see how many views we can get on that. Just like kind of dropping them on the desk.

Maybe drop them in inside a sound hole.

Emily: [00:35:22] Oh no, that would be like the anti I forget what ASM, I forget the order that those letters go with ASM har.

Andrew: [00:35:34] I feel like someone would like actually listen to that and like, watch it on repeat, make like a 10 hour loop of like dropping picks into an acoustic guitar.

Emily: [00:35:43] Oh my God. But then I would have to like get them out.

Andrew: [00:35:49] Yeah. But if there’s like a hundred of them, it’d be pretty easy to do.

Emily: [00:35:52] It’d be, it’d be easy to get like the first 70 out. And then after that, like that last 30 would be really difficult.

Andrew: [00:36:01] Should it be a SQL video SQL to gets Harpic in sound whole ASR is the shaking again, the cursing and the

Emily: [00:36:13] fudge.

Just send me the dad from a Christmas story.

Andrew: [00:36:28] But

Emily: [00:36:31] I still love how my dad has a fudge overdrive. That’s so great. He’s moving to Pennsylvania.

Andrew: [00:36:37] He is bless his heart. I really hope that move goes well for him.

Emily: [00:36:42] Mike, if you’re listening, he must miss. Scrapple so much,

Andrew: [00:36:46] Mike. If you’re listening to this, I know that I. Now having an excuse to go to Pennsylvania, um, and, uh,

Emily: [00:36:56] Pennsylvania, because everyone needs to experience the joy of Wawa.

Andrew: [00:37:01] That’s what I’ve heard. No, they might Mike, a friend of the show. You’re great. We love you. Uh, safe travels.

Emily: [00:37:11] My label, mate.

Andrew: [00:37:13] I, uh, I will be sad too. No that next time I’m in LA. I won’t have the chance to see you, even if it’s not likely given how busy both of our schedules are often are

Emily: [00:37:27] also COVID.

Andrew: [00:37:28] Yeah, there’s that too.

But anyways, um, enjoy the move and keep us posted.

Emily: [00:37:36] Wow.

Andrew: [00:37:37] Um,

Emily: [00:37:39] yeah, it’s, uh, it’s kind of. It’s it’s a, it’s a, it’s a cobbled together topic in a way we just kind of were like, before this started, we’re like, has there been beard is this week,

Andrew: [00:37:51] like this week? I think everything, all eyes have and peeled away from our typical feeds of, of a year.

And I feel like every time I’ve seen like a posting in a gear group, I’m like, how can you be thinking about gear? Um, but I’m also like, thank you for helping me get my mind off of things. But there hasn’t been like a lot of announcements. The only announcement that I’ve really seen this week that, um, we kind of knew about previously, but we’re getting more and more teasers on, which is making me really excited is, uh, collaborations.

Emily: [00:38:24] Yeah. We love talking about collaborations. 

Andrew: [00:38:30] is something that isn’t necessarily unique to this industry, but it is a hallmark of this industry in a really nice way.

Emily: [00:38:40] Yeah. So, um, there’ve been two collaborations this week that have actually, um, been teased. And we, we, we vaguely knew about one of them and I don’t really remember how we knew about one of them, but the ZX and chase bliss, which I feel like just had to happen because Joel, from chase bliss got his start at CFX.

Right.

Andrew: [00:39:00] That’s my understanding. And

Emily: [00:39:02] I know junkie.

Andrew: [00:39:05] Yeah, I think that got leaked on Reddit, like two or three months ago.

Emily: [00:39:11] I feel like I actually just straight up  post about it, but that might’ve been after really? Cause I don’t, I am use Reddit, but I am actively avoid the guitar.

Andrew: [00:39:24] Uh, I don’t. Yeah. Um, I know ex posted something about it.

Um, but they were really vague, but people were able to put the pieces together. Um, and

Emily: [00:39:38] it’s just going to be in the Minnesota dream machine.

Wow. They don’t have anywhere to go from that one.

Andrew: [00:39:51] Nope.

Emily: [00:39:54] But, um, there’ve been a lot of people talking about like, what could it possibly be? I know that like for the record, we have no idea just to be clear. Um, we have not been approached about this at all,

Andrew: [00:40:07] which is,

Emily: [00:40:08] I would love if Zeev X or Traceless wants to give us an idea with an NDA.

We’d be so stoked on it. But, um, I know people are speculating that it’s going to be some sort of take on a fuzz factory.

Andrew: [00:40:22] I mean, that’s been a hallmark receive X. That would make sense. Yeah.

Emily: [00:40:25] Yeah. But I, I kind of wonder if it’s going to be the low sitting on like the lo-fi junky, because I know that’s what Joel was famous for working on at Z backs.

And that’s a very difficult pedal to get for an affordable rate from isn’t it isn’t it like really sought after.

Andrew: [00:40:45] Well, if I junkie,

Emily: [00:40:46] yeah,

Andrew: [00:40:48] the prices are on the used market for it. Um, but I do know that’s another classic that, uh, hallmark for the, uh,

For

Emily: [00:41:01] chorus five Brado and it’s Oh, I mean, it’s not about expensive. It’s used for 179 and new from two 39.

Andrew: [00:41:10] But, so here’s what I imagine though, is fuzz. Factory is already got five parameters and I really don’t see how much further they could take that.

Emily: [00:41:19] I mean, you could do like the ramping and the bouncing with the, the, um, dip switches and five parameters on the top of the pedal with some toggles, like in the same way that the automaton has different clipping diet options.

If silicone germanium are known. And then they’re like, it’s not going to be like a flying fader, Tom attendance series. It’s going to be like their standard box.

Andrew: [00:41:48] We’ve seen. Well, they’ve they, they just posted, um, like a preview photo of it from the side. Um, it’s like, uh, all of green drab kind of color. I think I checked, let me pull this up here.

Don’t recognize with thumbprint, Donny. I’m sorry. I’m just talking to spiritual. Well,

Emily: [00:42:06] you don’t have the face face recognition.

Andrew: [00:42:10] Uh, no, I don’t.

Emily: [00:42:12] That’s probably for the best

Andrew: [00:42:13] probably. All right, here we go. Um, okay, so it’s a brushed aluminum. It looks like with green knobs.

Emily: [00:42:22] I like that actually.

Andrew: [00:42:24] Yeah, that’s a nice look.

Yeah, I got it. I got it right here. I got it.

Emily: [00:42:30] I don’t know if I really cared. I could like overlay this in post, but I am very busy this week. So it’s two foot switches. I’m guessing the toggle at the bottom. There is for presets and there might be six knobs just judging from the looks of this.

Andrew: [00:42:49] So here’s a thought that I’ve had.

So I could see

Emily: [00:42:54] today. Oh my gosh. It’s going to be released on the day that this podcast goes live. So this, this podcast, this conversation will be dated.

Andrew: [00:43:03] Oh, yeah. When this comes out, we’re going to look like total fools.

Emily: [00:43:08] That’s fine. I’m fine with that.

Andrew: [00:43:10] So here’s my theory is I could be a lo-fi junky. It could be a fudge factory here.

So here’s my thoughts of the fun factory one they’ve released the automaton, which is supposed to be the, it seems to me from a branding perspective is the. Drive pedal of the dirt pedal and older pedals. You don’t need another one. So why would they do, why would they release a fudge factory? But that brings me onto my next point is there’s a pedal that you got recently from chase lists, which they promised that they were never going to do again, which is the, do you have it behind you?

Emily: [00:43:45] Yeah, the Iowasca.

Andrew: [00:43:46] Yeah. And what is the Iowasca you may ask if you don’t remember Emily,

Emily: [00:43:52] tremolo.

Andrew: [00:43:54] Oh, there we go. Now. The Zix is known for a fuzz and chase bliss is also one of their most popular pedals is that they’ve done several iterations of is the warped vinyl. I’m wondering if a follow-up to the iOS, cause they’re not.

They said that they’re not going to do another one, but there’s still a lot of people saying that’s such a great combo. We would love that. I wonder if there’s enough people that they got. I mean, I’m sure this has been playing well in advance. So maybe I’m just thinking my thought process is going out of the order that they would have thought of it.

But I just think that would be a really great combination to do like a warped fuzz factory sort of situation, work vinyl, a fuzz vinyl. I don’t know how they would name that, but

Emily: [00:44:40] just kind of like basically a chorus. Yeah.

Andrew: [00:44:44] Chorus. Vibrato. Yeah.

Emily: [00:44:47] So like maybe the fuzz would be like on the, the wet signal.

That’d be very, very, um, shoegaze. Sorry. My second monitor is red and fuzzy right now. So it’s a little distracting. Yeah, it’s pretty gross. Um, but I mean, is he, that is always down to do weird stuff with their fuzzes plus their man is a pedal. I don’t understand still. So weird.

Andrew: [00:45:19] I mean,

um,

Emily: [00:45:26] so that’s, that’s, you know, ZX is known for their FAS primarily, but yeah,

Andrew: [00:45:33] I see it going that direction. I don’t know if I. I see either going that way or a riff on the lo-fi junky, because assuming that Joel did work on that. So I see it going one of those two ways. Um, but I, if they go a completely other direction, I’d also be very excited and I have full faith that whatever it is, it’s going to be very tempting for me to drain my gear budget right now.

And just pick one up.

Emily: [00:45:57] I mean, I don’t know why we haven’t just asked our friends at CVX or chase bliss, what

Andrew: [00:46:01] it is.

Part of me wants to ask him, pardon me? He just wants to be surprised on Tuesday. Uh,

Emily: [00:46:10] any surprises are nicer.

Andrew: [00:46:11] I like being surprised. There’s been a couple of releases that we’ve been looped in Ana and the like, it’s really cool to know about it beforehand. But the other part of me was like, I don’t know. I kind of, it’s kind of been cool just to like be part of the, Oh my God, it’s happening.

It’s happening kind of like day I’ve released feeling,

Emily: [00:46:28] but I mean, that’s just one of the things about like, you love an industry, so you get into it and then like, At some point in your life, you miss the mystery of it. Sure. Yeah.

Andrew: [00:46:38] The other collaboration that got announced, and then both of these collaborations are part of the, uh, or, or sponsor by put on, by organized by the pedal movie from reverb.com.

So we can thank Dan Orkin for that,

Emily: [00:46:52] which I might be in, I don’t know yet. Like I don’t, I hope I don’t end up on the cutting room floor, but if I do, I understand it was just so excited to be part of it.

Andrew: [00:47:02] So the other collaboration is death by audio effects and Earthquaker devices. And, uh, it’s no secret that Earthquaker devices has been a favorite of mine since day one of the show

Emily: [00:47:14] and a friend of the podcast.

Andrew: [00:47:16] Yeah. I have nothing but good things to say about what Julian, Jamie has been up to. And my goodness, I want to see what they ended up doing. For that collaboration. I have no idea where they’re going to take that. Both of them are known for FAS, um, and kind of some brutal wacky effects. That’s kind of, they’re definitely, they’re not the same, but they’re like the same mantra or same vein for, um, how they, they look at things and what they produce is kind of like, it’s all absolute gold, but it’s not standard either.

Emily: [00:47:50] Yeah, no. I was like, if I had to like think of one pedal that Earthquaker devices as associated with, I couldn’t name one, like I couldn’t just stick to one. I’d be like, Oh, well this and this and this and this the same with death by audio.

Andrew: [00:48:06] Well, I mean, earthquake got really started off with a Huff. Um, was part of like there I met, I think it was the first picking that Jamie did.

Emily: [00:48:14] I feel like they’re almost more known for like, Rainbow factory. It’s like, it depends. It’s so depends on who you ask. Like there’s some pedal companies where like, what do you know, like name one pedal from this company? And you feel like maybe 80% would give the same answer or like the same type of effect.

Um, but I don’t think you can do that with, with either of these,

Andrew: [00:48:42] I’m going to step out for like 30 seconds. I’ll be right back.

Emily: [00:48:45] Okay.

Um, yeah, so I’m having some issues with my monitor. It’s pretty exciting. It’s just all red. Oh my gosh.

No

connection from the computer to the monitor because the monitor itself, when it’s not attached to anything, I don’t know. Nobody cares. Um, it doesn’t matter. It doesn’t matter at all. I know I was going to talk about something during this time. Oh yeah. I took a nice little break this week from, uh, this past week from releasing a constant flurry of demos.

Normally I try to do. Demos, at least on Monday, Wednesday, Friday, and then we released the episode on Tuesday and then Thursday is just kind of a break. And even though I’ve been a little behind in filming my demos, just because I got so much at once, that felt good to take a little break, like last week on the podcast.

Um, I mentioned to Andrew that I worked 12 hours a day. And I don’t remember who are, if it was a comment on the tube, or if someone in the patient chat said, you looked really tired when you said that. And I was like, I was, I was really tired. So I, um, I just was like, you know what? I’m not going to stress on it.

I’m just going to take a little vacation. And if my YouTube channel can’t survive a little, I’m going to turn the monitor off a little break from me, then it doesn’t have any fortitude. And I really, you know, whatever it should be able to withstand, like taking a couple days off. So thanks for everybody for understanding that.

Um, I just needed a little, a little break from, uh, filming the demos and releasing the demos, uh, last week. So thanks for understanding. Everything’s fine. I just was tired and stressed and also have family in town. So that’s that everything. All right.

Andrew: [00:51:06] Everything is a, okay. Not a smoke detector this time, but you know,

Emily: [00:51:12] No smell detector, not a bathroom emergency.

Andrew: [00:51:16] It was a family related. Uh, so

Emily: [00:51:22] we only like we actually, I know we didn’t think that topic would take a lot of time and maybe it didn’t, but we have pretty much our normal life for an episode, more or

Andrew: [00:51:32] less.

Emily: [00:51:33] But what would you like to see from a duel DBA, EQD collab?

Andrew: [00:51:44] Man, I think, yeah, both of them are, no. I want to see some pitch shifting.

Um, I want to see some sort of pitch shifting. I think Earthquaker is DSP platform gives a lot of flexibility for what they could do together. And so I wouldn’t hate to see, um, a DSP platform pedal like the avalanche run or the pyramids, but with the two of them, I know DVA did the rooms recently, which sounds freaking amazing.

Emily: [00:52:16] It does. That’s how the. Echo dream too.

Andrew: [00:52:24] She’s cool. I mean, I guess the question is, is it going to be a mashup of two existing pedals or is it going to be some something brand new that hasn’t existed before? Because if it’s something brand, if it’s a mashup, I could see something like a, um,

Uh, like one of the fuzz circuits from death by audio mashed in with the rainbow machine. I could see, I could see that just being phenomenal. You’ve

Emily: [00:52:54] you’ve predicted to you think they’re both going to do a modulation with the fuzz?

Andrew: [00:53:00] Ooh. Yeah, maybe I don’t like that. I imagine if, I guess if the pedal movie is.

Coordinating it, um, I can’t imagine they’d like say, Hey, you guys both do the same thing. We’ll see who can make it better, but seem a little sinister. Um, that’s funny though, man, then again, like Earthquaker devices has done some phenomenal delays and I think one that doesn’t get enough love is the disaster transport here.

And. It’s like avalanche run and dispatch master of being classes. I would love to see a riff on the, on the dispatch master, um, on that end of things. I think that could go really well. I’m looking at my gear budget, I’m going through and thinking, you know, I think I’m going to probably pass on the ZX chase bliss one this week,

Emily: [00:53:59] but you don’t know what it is.

Andrew: [00:54:01] I don’t know what it is. I think I’m going to hold off. I just, I don’t have any, anything middy right now. I like no mini capability and I feel like I wouldn’t be getting the most out of it if I went that route. Um,

Emily: [00:54:16] well, you know, um, Matthew’s effects is going to release the tech. No, it what’s it called

Andrew: [00:54:23] technician or what is it?

The strong, no, not the astronomer. Um, I,

Emily: [00:54:29] I like, I beta tested it for awhile and I’m like, I think it’s the technician, but it’s a mini controller and it has, um, the computer interface was actually really, really easy to use. And, uh, ultimately like I it’s so small and I think it’s really going to make a lot of people’s lives a lot easier if you use a lot of money.

Andrew: [00:55:00] Yeah, anything that’s mini capable right now. Um, so I’m not sure I get the most out of it. I think given between that, knowing that there’s also Earthquaker devices and death by audio collaboration, I think I’m gonna hold out for that one. And I’m probably just going to, I’m going to buy whatever that is, whatever they come up with.

I’m pro I’m just going to the moment it goes live three, 400 bucks, whatever. I just I’m going to drain most of my gear budget and just it’s going to happen.

Emily: [00:55:25] Let’s message Oliver first. See what we can do. Okay.

Andrew: [00:55:31] Well then message him before I admit that I’m willing to pay for it.

Emily: [00:55:35] Do we know when that’s getting really?

Cause I know the Z VAX chase bliss. One is Tuesday, but I don’t remember seeing a teaser date.

Andrew: [00:55:43] Yeah. I don’t think there’s a date here. Um,

Oh,

Emily: [00:55:49] I don’t know why I opened that. Did we get more? Oh gosh, we get so much junk mail from stuff. Don’t we like, this is, this is riveting, Andrew and I just on the video podcast,

Andrew: [00:56:06] uh, tests by audio,

Emily: [00:56:11] or

Andrew: [00:56:13] I’m gonna feel real bad if they.

Oh, here we go. Here’s the, it’s a movie. So they, they w they put up like a one minute clip, the

Emily: [00:56:28] idea of brand collaborations for the pedal movie.

Andrew: [00:56:31] My first thought was death by audio, and I pretty much

Emily: [00:56:34] demanded to work with them.

Andrew: [00:56:36] They’re like just

Emily: [00:56:38] one of the companies

Andrew: [00:56:41] I heard with Jamie had program. I was like, I better make something cool, too.

This show is both of our unique styles and also highlights some similarities to it might not work in every situation, but it’s always going to

Emily: [00:56:55] be awesome.

reverb.com/oh, that’s also being released 11, 10 at 10, eight. Oh, darn it. 10:00 AM. Central standard time. So that’ll be 8:00 AM our time.

Andrew: [00:57:14] Well, shoot. I was going to sleep in on Tuesday because I’m working the evening shift, but I guess I’m getting up at 8:00 AM and buying it. Shoot. I thought it was going to be like a month.

Emily: [00:57:23] Oh gosh. That’s like coming out. Nah. Wow.

Andrew: [00:57:29] I guess so if you’re listening to the podcast still, um, no that I, right now I’m probably, um, peeing myself. Uh, and I I’m eagerly waiting a shipping notification from. Uh, from Earthquaker devices in death by audio, I’m just going to buy it. So listening to the end of the, of the video that they put out, I was just listening.

Like I heard some pitch in there and I heard some delay.

Emily: [00:57:57] Ooh, you saying that they were using that pedal? Good. I heard some floods in there too.

Andrew: [00:58:01] I mean, there’s probably several things in that chain. Maybe I’m just hearing what I want to hear. I don’t know. Honestly, I don’t think there’s a single thing that they could do that I wouldn’t enjoy, especially if it gets weird and wacky.

So

Emily: [00:58:12] yeah,

Andrew: [00:58:14] I’m a shoo I’m hyped. I’m hyped. I’m hyped. I’m hyped and I’m about to be broke.

Emily: [00:58:21] Yeah. Uh, yeah, I am. I got paid this week.

Andrew: [00:58:31] All right. Well, I don’t have a lot more to say other than, Oh my God. Oh my God. We

Emily: [00:58:35] just sent out an email to somebody. He’s all I’m saying

Andrew: [00:58:40] the emails like help, help. I’m going to be broke.

Emily: [00:58:44] The subject line is 11, 10 pedal release.

Andrew: [00:58:49] He’s a nut to Danner. I’ll see you

Emily: [00:58:51] later.

Andrew: [00:58:52] Okay. All right. Where you started pulling some strings after the show’s recorded, but since it’s already been recorded, you don’t get to find out.

Sorry, awkward.

We’re nerding out and we’re, we’re

Emily: [00:59:07] learning a little bit.

Andrew: [00:59:08] This is going to derail my entire Oh son. Here we go. Um, this is just the rail, the rest of my weekend. Cause now I’m going to spend a bunch of time digging and messaging everyone and finding out like, ensuring that I need to get my hands on this.

Emily: [00:59:22] Yeah. Cool. Well to everyone out there, uh, who watching on YouTube. Thanks. Thanks. Thanks. Thanks. Thanks for, thanks for watching.

Andrew: [00:59:32] Thanks for listening.

Emily: [00:59:34] Thanks for understanding until next time. My name is Emily.

Andrew: [00:59:38] And I have been Andrew,

Emily: [00:59:41] Hahahaha, goodbye!