
This week Emily talks about new pedals, Andrew talks about a move, and the two discuss an Am I The Asshole post about a guy who wants his babysitter to buy him a new $2,200 guitar vs. paying for a repair that she might or might not be responsible for.
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Outro song is “Little Pink Room” by Michelle Sullivan and the All Night Boys (feat. Emily on guitar)
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Outro song is “Little Pink Room” by Michelle Sullivan and the All Night Boys (feat. Emily on guitar)
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Episode Transcript
Note: a machine made this, so it’s not perfect, but if you’re hearing impaired and have any questions about what we said, please feel free to ask us in the comments or send us an email with the form below.
Emily: It’s not
gonna work this time. Of course
[00:00:04] Andrew: not.
[00:00:04] Emily: Why
would it, well, you know, cause it worked last time.
[00:00:08] Andrew: Let’s
play it on your plate, on the guitar then
[00:00:11] Emily: now
[00:00:20] it’s my turn.
[00:00:24] Welcome to get off set. My name is Emily. And my
name is Andrew, and I’m here with a borrowed friend today. I have the Eva young
signature. I’ve been as guitar. It is greener than I expected,
[00:00:40] Andrew: but
it does have orange flakes in the sparkle.
[00:00:43] Emily: Joseph?
No, it doesn’t
[00:00:47] Andrew: just
like, uh, like mixed in just a little bit.
[00:00:49] Yeah.
[00:00:51] Emily: We’ll
see how many, I mean, I see something that’s kind of goldish perhaps.
[00:00:57] Andrew: Okay.
The one on the Nam floor that I saw last year, two years, five years ago at
Nam. Um, there’s definitely like a S like not a lot, but like one, one or two flex
for like every few square inches, like just enough to be like, oh, all right.
[00:01:16] All right.
[00:01:18] Emily: Yeah.
There’s gold. I would call that gold personally.
[00:01:22] Andrew: Well,
personally, I’m offended.
[00:01:24] Emily: This
is guitars in a very weird tuning. It’s F a C GB.
[00:01:32] Andrew: Nice.
I think so. Well, it’s, it’s meant to open tuning and tapping and stuff.
[00:01:39] Emily: I’m
trying to sign, I’m going to try to, if I wanted to leave it at this tuning for
the demo I inevitably do, or if I. Do myself a favor and
[00:01:50] Andrew: keep
it in the tuning. And it’ll be fun.
[00:01:54] Emily: I
can’t tap though. Cause I, I grow these, these nails out long so I can do
chicken picking, you know,
[00:02:01] Andrew: it’s,
it’s just, it’s a temporary sacrifice.
[00:02:03] You’re gonna have to make.
[00:02:13] Emily: You
can blink a tree on this. You can play Gundry on anything. I’m going to put
that,
[00:02:19] Andrew: but
does a gent probably
[00:02:23] Emily: I
don’t, I don’t, I still don’t really know what Jen says.
[00:02:29] Andrew: Well
then do we have a story for you?
[00:02:33] Emily: Oh,
Jen. That’s all I got. That’s all I
[00:02:38] Andrew: got,
gentlemen, I just
[00:02:40] Emily: hit
record didn’t I sure did.
[00:02:43] Andrew: I
know it’s it’s it’s too late to unstart.
[00:02:46] Yeah. John started this well, welcome to the
show, everyone. Thank you for joining us. This is a riveting discussion of
green guitars.
[00:02:58] Emily: It’s
the only one I have. That’s green. It’s the only one between, oh no, you have a
green one right there. Okay. I see it. I’m a other way. Yeah, there you go.
Yeah.
[00:03:10] Andrew: I
feel like I’m playing the weatherman.
[00:03:12] Emily: And
then over here we have, the, your screen is fake and mine is
[00:03:17] Andrew: well
defines fake because in a true sense that it’s real. Like the guitars are
literally right here. Just it’s a better camera angle. So I just, instead of
moving my desk,
[00:03:29] Emily: which
is good, I’m sorry. I’m just realizing that nobody’s going to be able to see
the green guitar that’s cause it’s going to be off
[00:03:33] Andrew: screen.
[00:03:34] It’s going to be off screen. Uh, but instead of
moving the desk, I’ve just, you know, virtually moved the wall. So in a truer
sense, it’s real. It’s not Photoshop. No, it’s not. It’s not Photoshop. That
was the picture I took with my phone.
[00:03:51] Emily: Very,
very, oh, oh my. You’re uh,
[00:03:57] Andrew: yup.
Huh? How about it? Did I have like something on my nose or spinach in my teeth?
[00:04:04] Thirst Spanish, my teeth. He wouldn’t be able to
tell
[00:04:07] Emily: you
got a hole in your liver right there. Now it’s in your lung, your right lung.
[00:04:12] Andrew: Okay.
Oh, whoa.
[00:04:16] Emily: Well,
that’s Spindrift is a, that
[00:04:20] Andrew: is
Spindrift right there. Oh my God. Let’s take a look. See
[00:04:26] Emily: right
through it.
[00:04:27] Andrew: Spindrift
[00:04:28] Emily: lime.
See all the rocket music straps that Haley made you,
[00:04:32] Andrew: right?
[00:04:33] Yeah. Yeah. Yeah. The other funny thing is the I,
the, the jazz cup strap, she sent me, we were going to do a giveaway. I’m like.
Or could I just buy it for me? I can, can we make another one for like sort
this out later? Cause I, it sys I kept it. Nice.
[00:04:57] Emily: Nice,
nice. It’s a great strap. Yeah, Sam Haley is a great human.
[00:05:04] Andrew: Agreed.
Agreed. Agreed. Agreed. Well, aside from the Eve that young what’s new with
[00:05:10] Emily: you.
Oh God. Well, I got a lot of stuff. Um, I have that anti buffer from rare buzz.
Nice. I have on my demo bench, the sugar cube from Alexander pedals. I’m
actually really excited about that one. Um, I have the awful waffle from
alchemy audio, which I just demoed.
[00:05:33] I really sad as a hotcake crowler, hotcake, uh,
clown, the megabyte. And I have this prototype from recovery effects last
weekend. They had little. Uh, sale. They were selling something called
instrument one. And I snagged one when, cause I was in the waiting room for
after my COVID shot and, uh, I was free. So I have, it’s an instrument.
[00:06:07] It’s a droney thing. I was holding it upside
down. There it is. I’m excited. I have no idea what the knobs do. But I’m
excited to learn. Recovery affects
[00:06:21] Andrew: Obama’s
favorite
[00:06:23] Emily: recovery
effects,
[00:06:25] Andrew: drones.
[00:06:26] Emily: Oh,
[00:06:34] about drone strikes.
[00:06:41] I’d be like, what the hell does the knobs do?
[00:06:47] Andrew: No,
that that’s super cool. Yeah. I feel like that’s the sort of thing you would
just want to like, you know, pick up your inebriation of choice. Oh, that’s not
the right thing. And kind of turn on the drone and
[00:07:04] Emily: beverage
of choice.
[00:07:06] Andrew: Uh,
I didn’t limit it to beverage.
[00:07:08] I’m just say like, and inebriation of choice and
just plug the drone into several layers of everything and go nuts with it for a
night. I think that sounds exciting. That sounds like my idea of a good time.
[00:07:21] Emily: I
can never get enough torque with this little screwdriver
[00:07:24] Andrew: and
F what torque I heard twerk and I was very confused.
[00:07:31] Emily: Yeah.
Let me dang down, flip it in torque
[00:07:34] Andrew: versus,
yeah, it takes several screwdrivers before I start doing that.
[00:07:41] Emily: And,
uh, I assume you, you mean the beverage kind? Yes. We’re themed this episode. I
did my, um, my dry March, but that’s been over. That’s been over for a while
now, but 13 days it was easier than I expected it to be.
[00:08:01] Yeah, so, uh, whatever it was fine, I don’t feel
the need to do it again immediately.
[00:08:08] Andrew: Sure.
It’s good to, uh, to take breaks and you know, self-care, it’s important. Can
only put yourself through so much
[00:08:18] Emily: before
my complexion did not change. I did not lose weight. Nothing. Nothing. Totally
a good
[00:08:23] Andrew: sign.
That it wasn’t a problem before.
[00:08:25] Emily: Yeah,
that’s actually pretty true. Yeah. No, it was good. It was good. We had my, um,
my brother and my sister-in-law my niece over last night, we made red labs on
the trigger. Cause it’s a barbecue podcast though. I heard that. Maybe you’re,
uh, you’re not going to feel food triggers quite as much. I hope after.
[00:08:48] Last weekend.
[00:08:51] Andrew: I
need to replace my thermometers, what I need to do apparently. Cause my, uh, I
did a couple of port shoulders of the intent of bringing them into work, which
I did do without doing a full taste test. Um, And yeah, they cooked really fast.
I was really confused like, oh, well, I mean, the thermometer says this, so, I
mean, I’m sure it’s fine.
[00:09:14] Yeah, no, it came out dry. I I’ve gone back since
it checked the thermometer. I’m like, oh, that was reading like 30 or 40
degrees under what it was actually. Oh, I don’t know how it got screwed up.
It’s screwed up. And so I was, when I thought I was like, maybe peaking around
two 50 to 60, I was pushing 300 for extended periods of time when you really
should be like at two 25 to no more than two
[00:09:45] Emily: 50.
[00:09:46] Yeah. Two 50 is what we turned it up to at the
end when we need to nudge. But
[00:09:52] Andrew: yeah,
it’s a, it was slightly embarrassing. Cause then my. Uh, someone else I worked
with rolled up with, uh, with the brisket they had done in their Trager.
[00:10:05] Emily: And
[00:10:06] Andrew: it
wasn’t as good as the brisket that I did for myself a couple months ago, but it
was way better than what I had done when I screwed up.
[00:10:17] Emily: I
think it was pork and out of brisket though. Sure. I made the mistake of
trying, thinking about buying brisket, um, on Passover weekend. And the only
thing that was in the grocery store was like the huge, the huge cats like, wow,
this is a, a $100 cut of meat. I’m like, ah, I only
[00:10:36] Andrew: want
to start with that 13 pounds
[00:10:39] Emily: more
than that.
[00:10:40] It was more than it was like, you need to free
some, and then you will run out of room in your freezer and willing to give it
to neighbors. It was a lot. And a
[00:10:48] Andrew: lot
of girls don’t have room for something that big either nice
[00:10:55] Emily: or
[00:10:55] Andrew: does
well, then, you know what? You should do that like the 20 pound brisket and
then share.
[00:11:01] Emily: Yeah.
Yeah, I know. But it’s a hundred dollars.
[00:11:04] Andrew: Yeah.
[00:11:08] And then you share
[00:11:10] Emily: a
hundred dollars. Someone else is going to need to provide the size.
[00:11:17] It’s like 11:00 AM, but I’m nearing the point
where I’m so hungry. I’m like thinking about going upstairs and grabbing potato
salad. That’s left over from last night and does eating it. He will feel weird
if I just had a tub of potato salad that I was eating from. I
[00:11:30] Andrew: mean,
it, what you should do is you should do that, but you should also just say that
it’s Manet’s when I ask for thematic emphasis, um, Speaking of sides though,
like, so I screwed up the pork, but I did the best round of smoked pineapple.
[00:11:45] I’ve done to date. Nice. So, you know, it, even
though I did a couple of pineapples and I adjusted my, um, my ratios again for
the spice rub, uh, which is cayenne pepper, Rica cinnamon and brown sugar, um,
dial back the, the cinnamon and the cayenne a bit, and then up the brown sugar
and throwing the smoker. Um, after I was done with a pork.
[00:12:10] Uh, so as though the port took it off and that
was on Hickory, but the Hickory had all burned up at that point. So I was
throwing some apple, some apple wood chunks and burned that out. And I added a
couple of cans of PBR to the, to the water can nice of the water pan underneath
with all the pork drippings.
[00:12:26] And yeah, that flavor came out nice. I was very
proud of that. And I think that made up for the self embarrassment in the
offense.
[00:12:38] Emily: See,
I don’t, I don’t want to embarrass myself with coworkers cause none of my coworkers
live in Seattle. I don’t know who geographically is the closest, but it
actually might be, uh, it might be the people in LA.
[00:12:54] It might geographically be the closest cause I
don’t know how Utah pans out from here on, uh, Distance perspective. Is it Utah
or Colorado? I don’t know. They’re all over a couple in the Midwest. A couple
of Nashville, one in New York, Colorado, someone like that,
[00:13:11] Andrew: something,
something like that
[00:13:12] Emily: summit,
something like that.
[00:13:16] Yeah, no, um, yeah, this is actually, uh, Oh,
we’ve been talking for a while, but we were doing back to backs because, um, we
need to, uh, hold on to an episode for, uh, the first week in may that we can’t
really talk about yet, but it’s not
[00:13:32] Andrew: secret
episode. Yes. We can’t speak about.
[00:13:37] Emily: Because
because of embargoes buyer
[00:13:41] Andrew: goes,
it’s always exciting to get the email that says, if you share this it’s
illegal, Mike.
[00:13:46] Oh, all right, here we go.
[00:13:47] Emily: Here
we go. I don’t think it’s illegal. It’s just like, you’re never gonna be able
to do it.
[00:13:51] Andrew: No,
the, I read the email. It said illegal several times.
[00:13:55] Emily: It
says illegal, but it’s like Sue
[00:13:58] Andrew: me
a day. Yeah.
[00:14:00] Emily: Is
more about like litigation and breaking contracts. And it is about, um, you
know, The police coming and knocking on your door and taking you away in cuffs.
[00:14:10] It’s it’s like we will find you. Yeah. Um, I have
a couple of NDAs and I know that you do too, and I’m not, not, not curious at
all to find out what would happen if I broke them.
[00:14:24] Andrew: I
am not in any rush to sort
[00:14:26] Emily: that
out. I’m scared enough when I’m like part of a demo release, like a scheduled
release for anything.
[00:14:32] And then like, it’s like the time I never want to
be the first person to publish. So I’m like always like, has Ryan from demos in
the dark posted yet? Cause he’s usually very, very good about being like,
Exactly on time. Meanwhile, some, some folks are very early.
[00:14:49] Andrew: Oh
yeah, no, I like the nightmare is like, okay, so it’s out next Tuesday.
[00:14:52] So I’m going to go ahead and schedule the YouTube
demo release, like so premiere that’s time,
[00:14:57] Emily: and
then you schedule a premiere. It pops up. And everyone gets a notification that
you scheduled a premiere. So I can’t, if I want to do a premiere for a new
release, I can’t schedule it at all. I have to just wait.
[00:15:08] Sure, sure,
[00:15:09] Andrew: sure,
sure, sure, sure, sure, sure, sure, sure, sure. Sure. Like the idea is like,
you know, you schedule whatever content that’s going to be debuted. And then
like you get a text like an hour after it’s due saying take this down nine
years. You’re a week early. It was the wrong Tuesday or whatever. And yeah,
that sounds
[00:15:25] Emily: not
fun.
[00:15:26] I had a moment where I divulged information. I
wasn’t supposed to divulge in something and I was like, I didn’t know. That was
secret. I’m so sorry. I felt so bad. I can’t tell you what it was, but, uh, it
happened a while ago and I was like shy. Uh, I felt bad about that one.
[00:15:47] Andrew: It
does crack me up. Uh, I get like inbox messages, uh, From people who listened
to the show, it was like, Hey, you must know something about this.
[00:15:56] Tell me I’m like, I can’t, I’m so sorry, but I
can’t.
[00:16:02] Emily: Yeah.
[00:16:04] Andrew: I
can’t tell you if I, I can’t even acknowledge if I know anything about it,
because like, so, you know, if you, if you messaged me and asked the answer’s
going to be, I don’t know if I did. I couldn’t tell you. Yeah,
[00:16:14] Emily: I’ve
done. I’ve I’ve done that one before, like, oh, you know, I’m not going to
cause it’s like, I can’t confirm or deny like that.
[00:16:24] That means, yeah, I know something like, everyone
feels like that means, you know, something, but oh yeah. Sometimes, sometimes
like, so at this point I will just say, like, I don’t know anything about that.
Sorry. Like I I’m going to have to lie because to not lie would be to divulge
and I don’t want to do that.
[00:16:42] Or I just won’t respond always not also an
option, you know, I, um, yeah, I’m not going to jinx. I was about to say
something, but I don’t want to jinx it.
[00:16:55] I don’t have any, um, surprises coming up that I
really know about at the moment. So, uh, so sad. But what
[00:17:04] Andrew: about
that one thing from that one? We
[00:17:06] Emily: don’t
talk about that. I don’t know any surprises right now, which is
[00:17:12] Andrew: sure.
Yeah, yeah, yeah,
[00:17:16] Emily: yeah.
Sometimes I know things is usually adult, but, um, No, I’m, uh, I was kind of
working through what I have and what I’ve already showed off.
[00:17:25] So, um, as far as the demo stuff goes there,
there are other secrets I know for other facets of the industry, but we both,
we both have secrets in our pocket right now, though, for the cause we can not
talk about it. There
[00:17:41] Andrew: is
that
[00:17:43] Emily: okay?
That’s I feel like this is about headlights hit its
[00:17:46] Andrew: limit.
Is it? Oh, it was just about to drop the whole, like, I actually know something
that you don’t, but I can’t tell you,
[00:17:53] Emily: but
I never know if you’re serious and then sometimes you are serious and you tell
me the thing and I’m like, I know that we share an inbox.
[00:18:03] Andrew: No,
I think if something that was shared outside of the, get off set communication
channels, and I was told explicitly not to tell you anyways,
[00:18:14] Emily: was
that, did that really happen? Maybe
[00:18:19] Andrew: I’ve
actually been told that more than once about other things, but people just
assume that I tell you everything I’m like, not necessarily.
[00:18:26] Emily: Oh
my God. All right. Well, I hope those people are watching and they’re very
proud of you. Cause I I’m trying to think of, I keep secrets from you and I
don’t think I usually do.
[00:18:40] Because we shared inbox.
[00:18:42] Andrew: Yeah.
We shared inbox.
[00:18:43] Emily: What
was there was, I think that if I, if there’s like all us, because it’s still
like, it’s not like guaranteed, but, uh, I like to think that we are covered by
the same NDA situations.
[00:18:57] Andrew: I
certainly hope so after being told that that was illegal to share outside of
anyways, but a strange
[00:19:07] Emily: conversation.
[00:19:09] I did break an NDA just enough to tell somebody
that they didn’t know what the fuck they were talking about once. Like I just
said, like, I have more knowledge about this and you’re wrong. And that was
about where I left it. Like it was going to believe me. So people don’t
[00:19:27] Andrew: know.
I don’t have a whole lot. That’s new with me this week. Um, aside from the fact
that I am. Recording this podcast in the MTS, the house has been in a very long
time. Excuse me, God bless America.
[00:19:46] I spent all day yesterday moving the rest of my
mom’s stuff out. She is moved into a new place that is going to be very good
for her. And yeah, that now I’m realizing, wow, this place is a bit empty now.
And we’ve got a lot of rearranging to do, and I’m supposed to go back to work
tomorrow. Oh my it’s like, I’m not doing the whole like, okay.
[00:20:08] Well I work from home some days of the week and I
need to have a desk where I can do that work. So. But like I’ve got my desk
like all cabled up and stuff. So like once I move it, I have to like really
commit to, this is what I’m doing the entire day. I can’t just leave it like
half
[00:20:21] Emily: a
day. That was like, when I was putting this, my current standing desk together.
[00:20:25] And like, I, I need to just have like five hours
to put one at the desk together and to like set all my stuff up again, like I
[00:20:33] Andrew: could
cable up super quick. It would just look like a rat’s nest and. I try not to do
that. Like, I’ve got like all the zip ties underneath for like everything.
[00:20:43] Emily: Yeah.
Maybe I’ll spend some time today.
[00:20:46] Um, like rearranging, uh, cleaning tidying
because yeah, I mean, th th uh, it just, it’s, it’s a lot to look at. Sometimes
you guys know I can, I know I can do better. And. You don’t want
[00:21:05] Andrew: to
see what my room looks like behind the green screen right now? It’s atrocious.
[00:21:10] Emily: You’re
right. I don’t want to say that, but Hey, at least you’re going to about to
have an office with a door and that’s really
[00:21:15] nice.
[00:21:15] Andrew: I’m
going to have an office with the door. I’m going to be able to. Take least once
I moved my desk, then the rest of everything I can piece meal, like the guitars
I can sort out, I’m going to hang them on the wall. I’m going to get, like, I
played around the idea of getting like a string swing so I can angle them
instead of being flat against the
[00:21:33] Emily: wall.
[00:21:34] If I could do it again, I would just put like a
big, a couple of big planks and I would. Mount those planks into the actual
studs. And then I would, yeah, I would, if I, if I, and eventually I will do it
again, but like, I’m not in a rush,
[00:21:52] Andrew: then
my actually are hung up on steads. Um, they’re on drywall anchors, but I got
the ones that are rated for like 70 pounds for each.
[00:21:59] And there’s two. Yeah, I don’t, yeah. If I can
like, almost do a pull up on it, I’m sure. My eight pound guitar will be fine.
[00:22:08] Emily: Yeah.
For, for me. It’s like I would change the height so I could stagger them is
kind of one of the bigger things. Cause it’s like angle, like if I could
stagger them and have them offset offset above, then I would have to take
those, um, those shelves down.
[00:22:27] And it’s, it’s like a, it’s a whole thing. And
sometimes I think, sure, I’ve done this on the other wall so I could push the
desk out more. Like I. I think like once a year I do a pretty big, um,
refiguring session of a reconfiguration of my, of my space. And that’s exactly
what everybody wants to talk about.
[00:22:50] I’m sure. But, um, yeah, I’m just always on like,
how can this space serve me better? Yup. Cause I don’t have a lot of it if you
don’t, if you can’t be with the one you love, love the one you’re with, you
know
[00:23:05] Andrew: sure.
Well, that’s going to be the next couple of weeks. We’ll see if by next episode
I’ll have migrated or not.
[00:23:14] Um, cause the, the room that I’m going to has to
be. Yeah. So there’s, there’s three bedrooms and I’m going to be taking over
one of them, but we have to shuffle better. Number two in the bedroom. Number
one, bedroom, number three, and a better number two. And then I can populate
better. Number three. Dang.
[00:23:30] Emily: You
just move in everything.
[00:23:32] Andrew: Yeah,
there’s the only room in the house. That’s not right. Shifting significantly is
the kitchen. Every cabinet is going to be different now. Yeah. So lots
changing. Um, yeah, I I’m like I find myself waking up this morning, like woo
moot. We got past moved day. We’re all good. And then I really like. Okay, well
now we’ve got the other part of moving.
[00:24:00] Yeah. I can’t celebrate
[00:24:01] Emily: too
much yet. The complete reorganization of your, of your space. Uh, yeah, I mean,
I mean, we’re talking about this, but, uh, Rick and I went to an open house
just in our neighborhood. Cause it was open the other day. And uh, looking in
that house, we’re like, We liked the place where we are even more now.
[00:24:19] Like, I just don’t want, I don’t get about
Seattle bedrooms is that you cannot fix it like a queen size bed in them. Even
if there was one, I was looking at the first bedroom and I asked the realtor,
I’m like, so where’s the main bedroom he’s like that. I’m like, are you
serious? I’m like, you can’t fit. You can barely fit the full size bed in here.
[00:24:41] He’s like, I’m like, okay. So I see why this has
been on the market for a week and a half. Cause you want $900,000 for a bedroom
bedrooms that don’t fit.
[00:24:52] Andrew: Oh
yeah. Well you, you interacted with her on a double rate. Um, that, that’s how
that works.
[00:25:00] Emily: I
mean, we did it for like five years. Oh
[00:25:03] Andrew: really?
Yeah. Oh, you were joking.
[00:25:07] Yeah, no, I, yeah, I was completely joking. Cause
that sounds horrible to me. I also move a lot in
[00:25:15] Emily: my
sleep. He has them most violent hypnic jerks as he was falling asleep. And, uh,
we had a spring mattress for the first five years. So it was like, I really
preferred to go to bed after he went to bed, because then at least that would
have worked itself out.
[00:25:35] But, yeah, it’s just, isn’t it. You can love
somebody and not want them to be breathing in your face the entire evening.
Like, yeah, that was, that was like, like, oh my gosh. I just can’t be like, I
can be touched. I can’t be breathed on
[00:25:51] don’t touch me.
[00:25:53] Andrew: Yep.
Um, well, that’s going to be a. That is, that is my near future. As in, like,
when we’re done recording, I’m take getting a quick bite to eat and I’m getting
started.
[00:26:07] Emily: Nice.
I’m going to get a sandwich from our local taco Maria and I am really excited
about it.
[00:26:15] Andrew: A
taco is a sandwich.
[00:26:17] Emily: I’m
getting a torta sandwich from the taco Maria from tacos and beer,
[00:26:24] Andrew: but
it’s hard to just an open face sandwich.
[00:26:25] Is that still a sandwich?
[00:26:27] Emily: Tortillas
are not open face, dude.
[00:26:30] Andrew: I’m
thinking tostada. You are, my brain is barely holding it together, but we’re
here,
[00:26:37] Emily: but
here we are. Here we are. Here we are. Please like comment, subscribe, rate us
positively on iTunes or do not rate us at all.
[00:26:49] Don’t rate me unless it is good. Good ratings
only,
[00:26:55] Andrew: right?
He has says you gave us a three star review. Yep. Um, we
[00:27:01] Emily: don’t,
I don’t think we have very many, we have like one, one star and like two or
three, two stars, two or three, three stars. And then mostly five stars. So
it’s three
[00:27:10] Andrew: stars,
like the least given review, because people who are just like, kind of on
things don’t care enough to, to review.
[00:27:17] It’s always like, it’s like, you got to skip the
meds, you know?
[00:27:21] Emily: Yeah.
That’s that’s, that’s like, if you look at an Amazon product review, it does
seem like the meds are scooped a smudge, uh, not, not enough low and a lot of
treble. Um, that’s what you want. Read
[00:27:32] Andrew: the
negative reviews though, for two
[00:27:35] Emily: reasons.
[00:27:38] Because what, because then you can make an
assessment on whether or not the review is bullshit.
[00:27:43] Andrew: Well,
I mean, yeah. I mean, there’s that cause. But reviews are a thing. And I’ve
definitely bought stuff before. Like, oh, I’ve got a lot of five star reviews.
Then I ignored like the couple hundred, one star reviews that says, please
don’t buy this.
[00:27:55] And
[00:27:56] Emily: I
say, bots, do the one-star reviews too. There. I remember this is so dumb. I
was kind of like looking at pillows on Amazon. And there were like every pillow
brand had the same negative reviews that were like, it came moldy. Like there
was mold in the bag. When I got the pillow, they were all the same picture.
[00:28:16] They were all like the same copy. And you’re
like, oh, someone’s on like a black hat review campaign for all other pillows,
except whatever pillow they’re selling.
[00:28:26] Andrew: Yep.
I mean, that, that doesn’t surprise me. I’ve definitely seen that kind of a
trend. I feel
[00:28:31] Emily: like.
Okay. I got to meet our gear talk channel on Patrion.
[00:28:34] Sorry. I have to mute it for an hour. It’s
pinging a lot. All right, I’m done. Sorry.
[00:28:40] Andrew: I
that’s why I turned off the a notification sounds.
[00:28:44] Emily: Yeah.
I always forget that they’re on, um, support as on Patrion for access to our
super secret Patriot discord that I don’t usually mute,
[00:28:55] Andrew: which
I, I do mute, but I also am pretty.
[00:28:58] Active in there. Anyways, I just check when I
have a break. Yeah. So please don’t hear that as a, I don’t care. I don’t pay
attention cause I do. I love all of you.
[00:29:08] Emily: Yeah.
And if you are a potential advertiser and are looking for affordable rates for
sponsorships hit us up, we would love to talk about how we can work together.
[00:29:21] Agreed big fan of working together.
[00:29:26] Andrew: Um,
to quote high school musical. We are all in this together.
[00:29:30] Emily: Never
seen it really. I’m just a smidge old for it. I was at, I think I was like out
of high school when it came out. And then like when you’re in college, why the
hell would you want to watch high school?
[00:29:41] Musical
[00:29:42] Andrew: fair.
Fair, fair,
[00:29:44] Emily: fair.
Except for Zach Efron. Who’s a national treasure.
[00:29:51] I’m just joking, but I did love him in hairspray.
[00:29:57] Okay. Noted Andrew didn’t like that. Um, so we
were talking about the Eva young guitar and I remarked that it, uh, comes in a
very unique tuning. What do you know what the tuning is?
[00:30:17] Andrew: Not
off the top of my head. I think it’s
[00:30:20] Emily: S
a C G B E. So it’s the same top three strains as the standard tuning, but then
just like it’s, it’s, it’s weird.
[00:30:30] Cause like open tunings. I get, I get like
psychologically I can wrap my brain around them. Uh, you Sherman, it’s an open
chord, but this is just like a little bit different and I’m probably going to
leave it in that tuning for, for the demo. But I won’t be able to play any of
my very many of my regular riffs, but that’s fine.
[00:30:50] Andrew: You
should learn a covet song.
[00:30:53] Emily: I
she’s, she’s so much better than I am.
[00:30:58] Andrew: I
think you should try.
[00:31:00] Emily: I
think I should try. It just depends on how much time I
[00:31:02] Andrew: have.
It sounds really difficult and I’m, I would be scared to try, but I believe in
you. Let
[00:31:08] Emily: me
see if there are any good tutorials.
[00:31:11] Andrew: I
imagine there has to be
[00:31:13] Emily: young
kids.
[00:31:14] It’s hard tutorial or guitar lesson that’s
popping up. Um,
[00:31:24] Andrew: even
if it’s not the whole song, just like riffs that you can like toss into the
[00:31:28] Emily: demo.
F a O G C E. So I would just have to change the tuning a little bit for this
one. CIC rifts 47 from guitar world. You bet young teaches you covets
parachute.
[00:31:42] Andrew: Well,
there
[00:31:42] Emily: you
are. There I go. It looks like I’m cooking with gas,
[00:31:48] Andrew: propane.
[00:31:50] Emily: I’m
not cooking with gas, I’m cooking with hardwood pellets. Yeah. So that’s, I’m
excited for that, I think. But like, I know you’re like you should learn
something and I will, but, um, I, I don’t do this enough, but changing tunings
does really force you to stretch those creative muscles a little bit.
[00:32:09] Cause you’re, you’re moving outside of that
muscle memory territory. That’s so dangerous with, with guitarists and
musicians in general and songwriting guilty. Yeah. Yeah, but all your guitars
or aren’t your, all your guitars in the same tuning right now?
[00:32:24] Andrew: No.
Um, I’ve got one of my acoustic is in dad GAD and I’ve got, um, my dad and I’ve
got my, uh, green guitar and dropsy.
[00:32:35] Emily: Mm
oh, that’s very true because I remember what you were talking to this Scottish
string joy about, um, about the sh
[00:32:41] Andrew: he
did a phenomenal job and it just, the tension is all just, just right. Nick
plays like butter. Um, But then, yeah, I think I’ve got the standard standard
and standard,
[00:32:54] Emily: um,
standard theater in theater.
[00:32:58] I don’t know.
[00:32:58] Andrew: I
have toyed around with the idea of putting a baritone conversion neck on my
telly.
[00:33:03] Emily: Yeah.
I mean, I have one of those at my house and I just have to do it.
[00:33:08] Andrew: I
told her, I know that I’ve also toyed around. I don’t think I’m going to do it
now. We’ve been talking about doing this. This, uh, this parts gasser builds
since like January and I’ve been really meaning to get to it.
[00:33:20] And I just want to move and everything it’s been
months of like packing stuff up. I’m like just free time has just been sucked
up and then hopefully we’ll be able to get, start seriously digging in. But one
of the things that I’ve tossed around the idea of is doing a baritone build
because that’s something that I don’t have.
[00:33:37] And I think I’m going to shy away from it because
I specifically want Strat sounds build and. Doing a baritone tuning. I’m not
sure would lend well to giving me like the, I mean, but maybe it might, I don’t
know.
[00:33:54] Emily: I
mean, but look, you know, tele didn’t, isn’t the neck kind of bad on that. Tele
[00:33:59] Andrew: the
neck is definitely a little warped on the tele and it’s going to need to be
replaced at some point.
[00:34:04] It’s just, it’s my first electric guitar. And I
like how that neck feels so much, um, So, yeah, no, I mean, it is what it is.
I, it wasn’t dropsy and I lent it to a buddy for a summer to hold onto while I
was away from college. Um, and he said that the standard and he tuned it to
standard and then it boated out and then he’s like, I dunno, it’s boat out.
[00:34:29] This is weird. And then just left it tuned to
standard in the case for the rest of the time. Um, Is what it is. I mean,
damage is done and it’s not a neck that’s worth the money on having re like
fully fixed up. Yeah. Um, but so that’s something that’s that, that would lend
me to consider going the baritone route for conversion
[00:34:55] Emily: neck.
[00:34:55] I don’t always do it for a while and then change
it back. I mean, it’s. It’s not it’s, it’s, it’s a completely
[00:35:05] Andrew: no
problem.
[00:35:06] Emily: Yeah.
And that actually, and I find baritone guitars to be really inspiring. And
there, there are some, some people I play with back when live shows existed,
who, um, I only use other tone guitar, um, because they don’t have a basis and
we need that extra low end.
[00:35:22] So I always have fun with that. But, um, I think
I find it to be really, you know, stretch shushes those creative muscles a
little bit in a good way, but that what you talking about that net core thing
reminded me of, um, are you familiar with the subreddit? Am I the asshole? Yes.
Well, I tend to enjoy, um, my, my, the asphalt content most on Twitter.
[00:35:45] And there was one this week that I, I pulled
Michael James Adams into, uh, about this guy whose babysitter, uh, took their
eye off. Took her eye off this guy’s kid for 20 minutes. And the guy said the
kid somehow moved to sofa to hop the baby gate, go into the basement and pull
one of his guitars off the wall.
[00:36:08] And he said, I took it to my Lucier and the guys
in, in, in pooling the guitar off the wall, the kid warped the neck. And he
wants the babysitter to pay $2,200 for a replacement guitar now for the fee of
fixing it. But because there will be some diminished value wants her to pay the
it’s basically buy this guy a new guitar a 19 year old.
[00:36:32] I’m like, yeah. You know, I think asking her to
pay for the repair is fair, but 20, sorry, dude. I’d be upset. I’d be upset.
But also, and I, this is why I pulled my guidance until I’m like, can you even
work a neck from a drop like that? And he says like, you can, um, it’s possible
to break the trust rod and more, uh, yeah, when you’re pulling it from a wall,
but, um, a couple of them have people made this point, and this is what I was
thinking.
[00:37:08] He’s keeping this guitar in the basement. And I
feel like it’s more likely that the neck had warped because of improper
storage. And he just didn’t notice until it got pulled off the wall. I took it
in for a checkup.
[00:37:22] Andrew: I
could see that being entirely plausible, depending on like, if it’s like an
unfinished basement or something, but if it’s hanging on the wall, I don’t
know.
[00:37:30] Like I’ve, I’ve, I’ve seen like basement studios,
um, sound. That’s a good way to. So I, I could also, I could also see it
legitimately being damaged, but even, even if you take it at face value and,
and don’t speculate on the likelihood that he’s trying to pull a fast one
[00:37:51] Emily: or
just doesn’t know about it. Cause I, at the same time, I feel like from the
description he gave in this, in this descript, in this write up that he would
have said the truss rod broke.
[00:38:03] Yep. I kind of feel like he would have said that,
but who knows? Who knows, but yeah,
[00:38:11] Andrew: go
ahead. Yeah, that’s super strange. I, regardless you take, take it at face
value, don’t charge the babysitter $2,200.
[00:38:20] Emily: Like
literally never hire this person again, because again, they did leave your kid.
Uh, uh, supervise for at least 20 minutes and that’s not okay,
[00:38:28] but
[00:38:29] Andrew: not
at the same time though.
[00:38:30] Like when you’re hiring, like, you know,
teenagers for babysitting, I think your bar of expectation should be like, your
child’s still alive and breathing when you get home. Yeah.
[00:38:39] Emily: 20,
20, 20 bucks an hour. I don’t even think it’s that much for a babysitter. That
seems really low. So incredibly low. Yeah. I mean also a great reminder to, um,
make sure your instruments are insured.
[00:38:53] Yep. Uh, yeah, but it’s kind of what I kept
coming back to with this in the asshole part. Um, if, if, if someone else hits
your car with their car, their insurance will cover a fix as long as it’s
fixable. And it w but it won’t cover a new car if it’s fixable. And if it’s the
neck. On a guitar that’s usually quite fixable.
[00:39:20] Um, so
[00:39:21] Andrew: yeah,
placeable for a few hundred bucks.
[00:39:24] Emily: It’s
that’s, it’s gonna it’s it’s a replay situation for sure. Um, so like, my thing
is like, if it was a car and then Harrison insurance, they wouldn’t be buying
you a new car. My dude, even though fixing a car does probably diminish the
value of it a little bit.
[00:39:40] It’s sure. Yeah. I just don’t think that. I think
like I was an asshole for wanting to do that. Agreed.
[00:39:48] Andrew: Agreed.
I think that that screams that’s
[00:39:53] Emily: denim
Blue’s lawyer. That’s what you’re gonna say. Isn’t that
[00:40:03] he didn’t go straight to litigation almost. So
checked out
[00:40:11] Andrew: tube,
screams blues lawyer. Um,
[00:40:13] Emily: it’s
like once my husband dropped my Segal acoustic and he really did a number on
it, I didn’t ask him to buy me a new guitar. I didn’t even ask him to fix it.
To be honest. Like you just kinda start, you gotta take the yell and it sucks,
but you gotta.
[00:40:29] Sometimes you gotta take the L
[00:40:31] Andrew: seagulls.
Aren’t that expensive anyways?
[00:40:33] Emily: Yeah.
2200 bucks though. Les Paul, you think
[00:40:38] Andrew: Paris?
Ooh. Yeah. Yeah. Les Paul’s, aren’t usually that cheap. If it’s like a guitar
that he cares about
[00:40:47] Emily: it
kind of, it was weird to me because he was, so if I cared about, if I really
cared about the guitar.
[00:40:55] I would absolutely get it fixed. And because I
just wanna play the guitar, but to talk about the value, like in resale terms,
I feel unless it was some sort of vintage instrument,
[00:41:10] Andrew: which
then wouldn’t likely be 2200 bucks, it’d probably be more notable.
[00:41:15] Emily: Yes.
Yes. I, I dunno. I feel like there’s something kind of weird about it.
[00:41:20] I wondered if the guy just wanted to get a new
guitar. And then he was going to get the other one fixed anyway. But sometimes,
sometimes things happen, their instruments, you know, they’re, they’re made to
be used. And I’m really sorry that happened to that guy. I’m glad his kid is
okay, but you cannot ask a 19 year old.
[00:41:41] I don’t think I had $2,200 when I was 19.
[00:41:46] Andrew: I
definitely did not.
[00:41:47] Emily: Yeah,
no
[00:41:49] Andrew: more
than that in debt at that point in time. Yeah. Yeah, no, I maybe it’s because I
was recently 19, but they’re teenagers.
[00:42:01] Emily: I
don’t know. Yeah. You make some dumb decisions
[00:42:04] Andrew: there.
There’s going to be dumb decisions made. I mean,
[00:42:12] Maybe 19 because there, you know, age of 18
should be treated like an adult. Sure. I, I guess, I don’t know. I wouldn’t
hold a 19 year old to the same standard. I would even like a 22 year old.
There’s a huge, there’s so much growth that happens with kids these days. Yeah.
[00:42:28] Emily: Kids
these days. Um, you’re still very much like.
[00:42:32] Figuring out life. And unless you really invested
like that bat mitzvah money or something really well, like, or graduation
money, like that’s probably like, that would probably be all of that. Girl’s
graduation money.
[00:42:49] Andrew: People
get money at graduation. Yeah.
[00:42:53] Emily: From
high school. Yeah.
[00:42:57] Andrew: Someone
should have notified by family.
[00:43:01] Emily: It’s
kind of like wedding gifts, I think. Um, like you don’t have a registry for
college. Right. But, uh, no. I mean, it, wasn’t never a lot of money, but like
my grandparents gave me, you know, uh, some amount of money, I mean, but my
family, so I, I definitely had a lot of privilege with my family. Um, kind of.
Upper ish.
[00:43:24] Middle-class um, my, my, my parents always very
much were of the idea that instead of doing things like making sure I worked a
job to save a car, save for a car, like we will get you a car if you keep your
grades up because your job as a teenager is school. So, you know, that was
probably a different experience than a lot of people had.
[00:43:47] And I was very grateful for it, even at the time.
[00:43:50] Andrew: That
is a very different experience of what I had, but I mean, everyone has
different experiences. I don’t have a problem with that.
[00:43:56] Emily: I
worked in the summer and I worked really hard, kind of crappy job. I didn’t
have ties to touch strangers and I hated it.
[00:44:09] Um, yeah, sweaty strangers at a theme park and
one of the airbrush tattoos.
[00:44:15] Andrew: I
can smell that
[00:44:16] Emily: it
was smelly. I imagine what that smells like. Oh, I can give you a guess of what
sort of visceral place I revisit every time I smell hot garbage
[00:44:27] Andrew: there’s
that? And then like the chlorine smell from the
[00:44:31] Emily: Potter.
[00:44:33] Andrew: Which,
um, turns out this really screwed with the, I watch a Mar mark Rover video,
like one of his older ones, couple weeks ago, about your, how much urine is in
a pool. And one of the things that they learned in the process like, oh yeah,
by the way, that’s like pool water. Doesn’t smell until someone peas in it.
[00:44:48] So if the pool water smells, you’re smelling the
reaction of the chemicals of the pee, I was like, that’s disgusting. I
[00:44:57] Emily: know
like, Don’t act like you’ve never peed in a cell.
[00:45:03] Andrew: I
haven’t, no, I don’t ocean, absolutely. In my wetsuit. Definitely in a pool
Cero. Yeah. Yeah.
[00:45:12] Emily: Totally
the same,
[00:45:14] Andrew: but
no swimming pool.
[00:45:16] That’s disgusting.
[00:45:18] Emily: I’m
not saying it’s not gross, but I was a kid. I was little.
[00:45:24] Andrew: Okay.
The kiddie pool doesn’t count. Okay. Also when
[00:45:26] Emily: you’re
a girl, you have to take the whole like thing off, like if you don’t have, if
you have a one piece, which is, you know, more normal for younger girls to get
off of one pieces when it’s wet, especially not fun, not fun.
[00:45:42] Very, very, very much tangled. Yeah. It’s like,
um, as a kid, I got stuck in what bathing suits. Now, as an adult woman, I get
stuck in sports bras. Like it’s not fun.
[00:45:56] Andrew: Well,
I think we were kind of talk about burnout in this episode. We’ve just got a
very different direction. You
[00:46:02] Emily: know,
sometimes you just have to have a chat.
[00:46:08] I was thinking about, um, about like the end of
like quarantining. Also already, I think because I had drinks outside, um, at
chucks. Yeah. The other day with, with a client. And, uh, we were all just so
hyped to talk to other humans that we haven’t been quarantining with. It was
really a fun, like a funny experience.
[00:46:33] I think that’s just, what’s going to be like, and
like when I played an outdoor gig this summer, that was very different than
what I thought it was going to be. And I regretted doing it very much. It was
like a bunch of performers and you could not get them off the stage. They were
just like vamping until like someone else literally came onto the stage and
kicked them off of the stage.
[00:46:58] And I think that’s what it’s going to be like.
Like people are announcing cures. Um, next week, we’re the person we’re talking
to just. Uh, their band just, uh, got confirmed to, to go on, uh, next week.
Hopefully we’re going to have Julia from rappers on the show and rat boys is
supposed to tour with, um, Julian baker in Europe.
[00:47:19] Oh, that sounds so fun. Yeah, that’s going to be
a great show. Julian baker is really good at picking, um, supporting to her
sport.
[00:47:29] Andrew: Really.
And now just the idea of going out is so nice, actually did go out to lunch the
other day. And that was, that was an experience. I was so freaked out, but I’m
like, I’m going to eat food with another human at a restaurant.
[00:47:46] Oh my God. What to it was the, it was the day
that prince Philip died away. We had actually already planned to do this. We
went to the British pantry out in Redmond. So we sat down and I’m like, oh,
I’ll have a chicken Curry pasty, and, um, some chips. And, uh, and I’m just
sitting there, like, look over, there’s a table of old British ladies.
[00:48:07] Like ex-pats talking about what a hunk Philip was
in his younger days. It was like, this is the,
[00:48:16] Emily: that
is a full experience ban. Um,
[00:48:21] Andrew: yeah.
I will refrain from indulging my dark sense of
[00:48:26] Emily: humor,
please, please. Great. I appreciate that. I appreciate that. I don’t want, I
don’t want it to do any, uh, post production, this to edit out, uh, jokes that
might not go over so well with a certain demographic.
[00:48:40] Andrew: And
the demographic is Americans because the Brits will think it’s hilarious. Yeah,
but they’re also just very dark human beings, which is why I liked them so
much. Um, British
[00:48:50] Emily: humor
is it’s its own thing.
[00:48:54] Andrew: Indeed.
[00:48:54] Emily: Yes,
[00:48:56] Andrew: man.
No, I, I think I’ve definitely, as far as burnout goes, I think the last year
I’ve been like in and out of it pretty, a lot more in the sense of just being
cooped up at home all the time.
[00:49:12] But. Melissa hopeful that a chance to like, to,
to re rearrange the house and kind of reassess what are, are day in, day out
rhythms of life are I’m hoping is going to give me a chance to cut out a couple
of things that I don’t need to be doing as much of any more, um, take do a
little bit more of self-care and just take it, take the opportunity to revamp
things a bit and hopefully point me in the right direction in terms of getting
back on my feet.
[00:49:41] Um, yeah. No, I, I, I’m sure I’m not
[00:49:46] Emily: alone
in that. Are you S are you saying partially that, like, you just haven’t been
playing as much as you would like to be, or are you talking about different
kinds of burners?
[00:49:53] Andrew: Yeah,
I know. I haven’t been playing hardly at all lately. Um, and if I do it’s, I
haven’t plugged into my amp in like couple, three weeks now.
[00:50:02] I mean, it is what it is, um, in part of that’s
just the stress of the move as well. I mean, that’s just taken up the time and
the. The mental energy, but
[00:50:13] Emily: yeah,
that’s the mental energy is real. I mean, I haven’t played or written this,
like for my self as much as I would like to, I would love to like, just be able
to take several hours and just like learn some new stuff.
[00:50:27] And I was kind of going through and learning a
few new things, but like a lot of that energy is taken by like copywriting
projects or the demos stuff. And, uh, It’s when, when you’re done, you’d done
it the day of the day, you know, and especially since so much of what I, the
work I’ve been doing right now has been taking a lot more mental energy than,
uh, my previous role.
[00:50:53] Like just it’s, it’s placed differently. Like
instead of doing a lot of research, I’m doing a lot of like creative stuff with
words and it’s great. And I’m really glad I get to do that all day. It’s a lot
more fun, but, um, I’ve. I’m playing a little bit less, less guitar. And also
that there’s no live music and my bands like getting together and writing and
rehearsing and jamming.
[00:51:18] Uh it’s I think that was a big, um, kick in the
ass. I always had it every week. I was like, oh, I’m going to go play with my
band. We might end up, you know, writing some stuff and, um, Yeah. I, I work
really well with deadlines, so hopefully I have something that’s going to
hopefully come together. And the next couple months that I’ll be able to, um,
just generally have fun with and write something.
[00:51:46] Andrew: Totally.
No, I, I, I’m thinking through, I think in terms of like setting up the new
office, um, I’m thinking through what are ways that I can make the space more
like. Inspirational seems like such a hokey thing, but I think more,
[00:52:03] Emily: but
like that’s a real thing.
[00:52:05] Andrew: Yeah.
I mean, it’s, there’s, there’s definitely that it also like functional in the
sense of like being able to plug and play.
[00:52:10] And, um, I think I want to try and sort out a way
that I can have, um, like a. Cause like, I don’t want to have pedals on my
desk, like all the time. So maybe be like a secondary, like behind me,
something where I can just like, I’ve got a power supply. That’s always there
ready to go, just to plug in with a patch, like a little hanger for patch
cables or something.
[00:52:30] So I can just kind of turn around at my desk on a
break and just kind of plug in with whatever I’ve got at the moment. Play for
five minutes and move on.
[00:52:37] Emily: Yeah,
that was a big. Um, reason I’ve rearranged my office. So like, this has always
been my backdrop for my demos pretty much, but my desk used to be in the other
corner.
[00:52:47] So I would have to come over here every single
time, reset up everything. And now I can just be like camera on lighting on
camera, camera, record. Demo cause otherwise, like there, I, I was very much to
the point where like, if I do any demos, I need to do like three, four or five
in a day, just so I don’t have to set all this stuff back up and sucked.
[00:53:17] It really sucked. Um, so I’m just continuously
making little improvements here and there to my setup and, um, makes me happy.
[00:53:27] Andrew: Well,
I am very curious to hear, um, I kind of want to punt this to the listeners a
little bit, but thoughts, comments, concerns for inspirational spaces in your
home studios? Really cool.
[00:53:38] I want, I want to hear feedback like
legitimately, because I’m personally because I’m feeling a little overwhelmed
at the idea of having, like, I’ve been looking forward to this and now I’m
like, I can do, I don’t know what I’m doing yet.
[00:53:49] Emily: I
guess, tag us in your Instagram stories and we’ll, um, Send
[00:53:54] Andrew: me
photos of your studio spaces.
[00:53:56] Tell me things that you’ve done that have, that
have helped make your space more usable and inspirational. And yeah. I want to
hear all of that.
[00:54:05] Emily: Yeah,
that sounds awesome. I think that’s a good place to end it. What do you think?
[00:54:10] Andrew: I
think I can live with that.
[00:54:12] Emily: Yes.
All right. Well, uh, everybody out there. Thanks for, thanks for listening.
[00:54:17] Thanks for watching. Thanks for understanding
until next time. My name is Emily.
[00:54:21] Andrew: And
my name is Andrew goodbye. That’s all books.
[00:54:26] Emily: There’s
actually an, a rhythmic pattern to that. Uh, the Porky pig stutter. So next
time do it right. Or don’t do it at all by .
