Spaceman Effects Artemis Modulated Filter Demo

Video Transcript

Note: a machine made this, so it’s not perfect, but if you’re hearing impaired and have any questions about what we said, please feel free to ask us in the comments or send us an email with the form below. 

Well, welcome to get off set. My name is Emily and I’m here today with the brand new Artemis. It is a filter pedal by spaceman effects based out of the beautiful Pacific Northwest Portland, Oregon. Great city. I miss going there. I especially miss no fun. It’s a lot of fun. I like that place. They have Cincinnati chili sometimes, but anyway, this is a multimode, uh, filter pedal, monetarily filter pedal.

It’s brand new, and I’m going to get through as much of it as I can with you. Um, let’s start, there’s a food. There’s a lot of stuff in this quick start guide that I have. Uh, the first, the first thing we should talk about. Our, um, the mixer controls. So we have low high, and then we have our band. We have, uh, this little knob that controls the shape of the LFO.

Uh, it goes up, the triangle would be around that area, ramp up, ramp down random. This other little knob is the resonance. And, uh, you can kind of think of that as loosely a feedback. This is the LFO speed. Uh, this is a sensitivity optional picking dynamic match speed modulation. It says. And, uh, this is, this is the frequency for the LFO range.

Oh, so it says to start with it all the way down, you’ve already heard by clean tone, I’m paying, playing my American professional serious jazz professional two series Jazzmaster through my striving Iridium round B with the gain set at nine o’clock.

I just messed around with that, explaining anything. I’m going to try to explain some things. So now that I figured them out a little better,

so this basically is a setting. It controls everything.

It goes from at the very beginning, it’s an envelope up and envelope up. This controls, the modulation depth. This controls, the picking dynamics sensitivity, which I should have turned out more. And this controls the starting point of the sweep. So

envelope.

Now we’re an envelope down. All of the controls are the same, except this now controls the ending point of the sweep, the frequency.

four, four, four, four, four.

Nice. And then we’re going to move into the triangle.

So on this, on, on all of these, except for number seven, the static, this controls the modulation speed. Um, and now we have the sensitivity knob here controlling, uh, the elbow speed modulation. Yeah, I’ve started the dynamic LFO speed modulation. And then this guy controls once again, the starting point of the sweep, and it will control the starting point of the sleep for the rest of the settings until seven

so the harder you play, the, the faster the speed gives. That’s what it sounds like to me. I can hear consistent triangle sort of sound happening in the background there, but I feel like the modulation depth.

I hear, I hear the speed changing.

That’s really cool.

And now it’s doing the ramp up and all of the controls are the same.

This is controlling the starting point of the sweep. Again,

Yeah.

I don’t know if you can see with the lighting, how the Juul Decatur, so pretty. From an angle. I can see like there’s red in there, but I can’t see what I’m looking at.

that’s really cool.

What else could I do?

And now we’re going to be in random

and then last but not least fixed. And this is basically your fixed wassup.

And these two do these two knobs, the amounts and the sensitivity do nothing. They’re completely disconnected on this setting. It’s all about that mix about that resonance, which I’ve just kept max because I can’t

spell so many knobs and I don’t want. I can’t record for more than 30 minutes.

so this, this dude, this frequency, he just sweep.

I actually think a fixed wall sounds like it’s a pretty cool sound. And I use my automaton and band shows to do like a weird mid-frequency for some of our assault.

all right. Well, uh, as always, I gotta hand it to a spaceman effects based out of Portland, Oregon. Um, they sent me this demo and exchange. They sent me this pedal exchange for this demo. Um, and I’ve had a lot of fun with it. It’s available now, as far as I know. Um, and it’s, it’s a cool filter pedal dude. I played so many cool filter pedals this year.

I feel like such a lucky lady, but this one has something so special about this one. I think, um, dude, Yeah, this has more, it has more controls, uh, than a lot of other filter pedals I’ve seen. I really like the random mode. I like ramp up more than I thought I would. Um, I love those Ottawa kind of things.

And I, I don’t even know if this was intentional because it doesn’t really seem to be how it was described in the manual, but like that the sensitivity. Controls that like modulation in it, the way that it does is so neat. I really, I cause you hit it hard and it goes and like that’s just a dumb, dumb speak for, I like that thing that it does well.

Um, anyway, uh, please check out the Artemis, uh, by a spaceman effects. If you buy it on reverb, we get 1% cash back and it costs you zero extra dollars. If you buy it from them, it’ll make the brand very happy because that’s the nicer thing to do. And it’s probably what you should do. Um, but you can always try to stroke it to put your weird, uh, filter resounds on the internet.

It’s 19 bucks a year, and you can save 7% with your first of your first year, uh, on this Joe kid. If you use the link in this video description. Well, You can also get merge. Oh, cool thing. Cool thing. Cool thing alert. I have these and I’m going to start giving them to patrons. So if you support us on Patrion Lincoln video description, uh, you’re going to get a, but you’re gonna get one he’s a little it’ll push pens and say, get offset.

I think I put the $10 level on there for the. The pens, but you give it the $5 level. I’ll also give you a pen probably because it’s just a pen. Just make sure you your address. Well, anyway, thanks for watching. Thanks for understanding. Once again, my name is Emily until next time. Goodbye.