Episode 87: Paranormal Tone Masters
This week on Get Offset, Andrew and Emily talk about guitars, amps, and how they met their spouses. And probably some other stuff, too.
This week on Get Offset, Andrew and Emily talk about guitars, amps, and how they met their spouses. And probably some other stuff, too.
The DD-200 is a stereo delay pedal and looper by BOSS with a dozen delay modes to choose from. Each has controls for time, feedback, mix, tone, and modulation on the delay trails, as well as a parameter specific to each mode.
The Fender Rumble Studio is a bass modeling amp in the vein of the Fender Mustang GTX100.
The J Mascis Squier Jazmaster is the first time I realized that Squier guitars were officially cool.
The Expression Tremolo is the newest in Ernie Ball’s line of unique, expression-pedal-driven guitar pedals.
The idea of an offset telecaster isn’t new to the guitar world — but this is the first time, to my knowledge, a budget version has become available via Squier.
The Super-Sonic is an odd bird. It’s got a reverse body and headstock, to begin with. But it’s achieved a cult status in the guitar world for it’s unique look and sound.
The Fender Mustang Bass is a mainstay for bassist who might be…smaller. The Fender Player Series Mustang PJ bass is just that, a short-scale bass with P-bass and Jazz bass pickups that give it a killer sound to go along with its feel.
The Fender Tone Master Deluxe Reverb uses digital processing power to make a lightweight, bedroom friendly amp while maintaining the classic sound of the tube-driven Deluxe Reverb.
This week, Emily and Andrew are joined by Shaun Crawford, a guitarist from Texas and based out of Seattle, WA.