An Empress Zoia Journey: Making My First Patch
Somehow, this lady who’s never messed with a modular synth in her life acquired an Empress Zoia. In this video, I build one of my first patches — a hard-panning tremolo with reverb.
Month: August 2020
Ground Control Tsukuyomi Midrange Booster Demo and Review on Guitar and Bass
Ground Control Tsukuyomi is a boost pedal with an optional toggle that will boost your mids to help your leads stand out in a mix. It boasts 12 dB of gain. Mids are boosted in the 880Hz-1kHz band.
Earthquaker Devices Sea Machine V3 Demo and Review on Guitar and Bass
The Sea Machine by Earthquaker Devices is a chorus that can go from subtle and traditional to modulated, self-oscillating fury.
Rainger FX Reverb-X
The Reverb-X from Rainger FX is a digital reverb pedal with DISTORTION after the reverb.
Episode 95: Is Spotify Trying to Kill the Album Cycle?
This week, Emily and Andrew discuss recent statements by Spotify founder and CEO CEO Daniel Ek. And there’s a history lesson!
I Bought a Klon from Wish
I went against my better judgement and bought a Klon Klone from Wish.com. I wish I hadn’t. I will never play this pedal again.
Demo: Recovery Effects Gallows In the Morning Demo and Review on Guitar and Bass
Gallows in the Morning is the newest pedal by our friends at Recovery Effects in Seattle, WA. It’s a dual drive/reverb with some fun and surprising features.
Demo: Recovery Effects Cutting Room Floor Demo and Review on Bass and Guitar
The Cutting Room Floor by Recovery Effects is a lot of goodness jammed in one box. It can be echo, pitch shifting, modulation, and glitch.
Demo: Recovery Effects Dirty Murals
The Dirty Murals by Recovery Effects is a dual delay that can go from subtle to washy dream machine in an instant.
Episode 94: Who Deserves a Signature Guitar – Shawn Mendes Foundation Signature Fender Musicmaster
This week, Emily and Andrew chat about their respective vacations, cool gear, songs by our Patreon supporters, the Shawn Mendes Foundation signature Fender Musicmaster (and their weird foundation mission statement), and the weird outrage people have when someone gets a signature guitar when they feel the person “doesn’t deserve it.”